CLASSICAL: THE FIVE BEST CONCERTS

Mark Pappenheim
Saturday 05 February 2005 01:02 GMT
Comments

Your support helps us to tell the story

From reproductive rights to climate change to Big Tech, The Independent is on the ground when the story is developing. Whether it's investigating the financials of Elon Musk's pro-Trump PAC or producing our latest documentary, 'The A Word', which shines a light on the American women fighting for reproductive rights, we know how important it is to parse out the facts from the messaging.

At such a critical moment in US history, we need reporters on the ground. Your donation allows us to keep sending journalists to speak to both sides of the story.

The Independent is trusted by Americans across the entire political spectrum. And unlike many other quality news outlets, we choose not to lock Americans out of our reporting and analysis with paywalls. We believe quality journalism should be available to everyone, paid for by those who can afford it.

Your support makes all the difference.

1

The Knot Garden today

The last performance of Scottish Opera's centenary-year staging of Michael Tippett's visionary 960s-style psychosexual reworking of Shakespeare's Tempest. Sir Richard Armstrong conducts, Peter Savidge sings the analytical magus Mangus, and Hilton Marlton and Derrick Parker play opera's first openly gay couple.

Festival Theatre, Edinburgh (03-529 6000) 7.5pm

2

The Thieving Magpie today

Mary Hegarty sings Ninetta, the innocent victim of the magpie's kleptomania, in a revival of Opera North's 990 staging of Rossini's darkly comic cliff-hanger.

Grand Theatre, Leeds (03-222 6222) 7.5pm

3

The Lindsays tomorrow

Prior to disbanding later this year after more than 40 years together, the legendary British string quartet launches a valedictory Beethoven and Tippett cycle with the first of the former's early Op 8 and Op 59 sets, plus the later Quartetto Serioso, Op 95.

The Sage, Gateshead (0870 703 4555) 3pm

4

Halle Wed & Thur

Martyn Brabbins conducts Ravel's ravishing fairy-tale ballet Mother Goose, framed by dance scores by Debussy (Danse Sacree et Danse Profane) and Holst (The Perfect Fool), and two works by Elgar (Introduction & Allegro for Strings and Italian holiday overture In the South).

Bridgewater Hall, Manchester (06-907 9000) 7.30pm; also 3 Feb

5

RLPO Wed & Thur

Nikolai Alexeev conducts an all-Russian programme: Glazunov's wintry variations on themes of frost, ice, hail and snow, from his ballet The Seasons; Rachmaninov's Piano Concerto No 2 (the "Brief Encounter"); and Rimsky-Korsakov's Oriental fantasy Scheherazade.

Philharmonic Hall, Liverpool (05-709 3789) 7.30pm

Join our commenting forum

Join thought-provoking conversations, follow other Independent readers and see their replies

Comments

Thank you for registering

Please refresh the page or navigate to another page on the site to be automatically logged inPlease refresh your browser to be logged in