Your support helps us to tell the story
From reproductive rights to climate change to Big Tech, The Independent is on the ground when the story is developing. Whether it's investigating the financials of Elon Musk's pro-Trump PAC or producing our latest documentary, 'The A Word', which shines a light on the American women fighting for reproductive rights, we know how important it is to parse out the facts from the messaging.
At such a critical moment in US history, we need reporters on the ground. Your donation allows us to keep sending journalists to speak to both sides of the story.
The Independent is trusted by Americans across the entire political spectrum. And unlike many other quality news outlets, we choose not to lock Americans out of our reporting and analysis with paywalls. We believe quality journalism should be available to everyone, paid for by those who can afford it.
Your support makes all the difference.The Jungle Book (right) After the storming success of his Grimm Tales, Tim Supple directs this wonderfully physical production, full of visual flair, strong music and bold humour, which banishes Disney cuteness and keeps its audience enthralled. Young Vic, London SE1
The Count of Monte Cristo Ken Hill's adaptation of the classic Dumas novel is boisterous, blowsy, swashbuckling hokum. I know Christmas is over, but why not grab a bunch of kids and have a silly night out? Nuffield Theatre, Southampton
Company Nothing, not even Sam Mendes's unwise decision to update it, can stop you realising what a great score this is, full of bite, balls and bravura. Liza Sadovy leads the singing, and Sheila Gish is just plain glorious. Donmar Warehouse, London WC2
DAVID BENEDICT
Join our commenting forum
Join thought-provoking conversations, follow other Independent readers and see their replies
Comments