The Magic Spring: My Year Learning To Be English, by Richard Lewis

Can we rediscover our lost identity in old folk festivals?

Nick Groom
Wednesday 25 May 2005 00:00 BST
Comments

Your support helps us to tell the story

From reproductive rights to climate change to Big Tech, The Independent is on the ground when the story is developing. Whether it's investigating the financials of Elon Musk's pro-Trump PAC or producing our latest documentary, 'The A Word', which shines a light on the American women fighting for reproductive rights, we know how important it is to parse out the facts from the messaging.

At such a critical moment in US history, we need reporters on the ground. Your donation allows us to keep sending journalists to speak to both sides of the story.

The Independent is trusted by Americans across the entire political spectrum. And unlike many other quality news outlets, we choose not to lock Americans out of our reporting and analysis with paywalls. We believe quality journalism should be available to everyone, paid for by those who can afford it.

Your support makes all the difference.

Defining English identity seems to have become the new national hobby. Hundreds of books and articles have something to say on the matter of Englishness. But there is little consensus. Englishness is elusive and contradictory, at best patched together from disparate elements that all seem to have come from elsewhere. The English cannot decide who - or what - they are.

Richard Lewis tackles this ticklish question by rediscovering the country's traditional customs. He joins revellers at the Straw Bear festival, drinks with mummers, gurns at Egremont Crab Fair, and disguises himself as a hobby horse. Most of this jiggery-folkery he rather enjoys, but are these his authentic English roots?

In the main, these annual traditions have, Lewis learns, been variously "re-established": in other words, cobbled together by folk revivalists. But this soon ceases to matter. What is important is not their antiquity, but that they happen.

Those who fear the chink-chink of the morris dance will probably find this odyssey through the remnants of Merrie England nightmarish. Why do many men feel embarrassed by the morris (which is basically a few blokes dancing with hankies, bells, and ribbons), while becoming insanely passionate at the sight of 22 prima donnas prancing and pouting their way over a football pitch?

Lewis's account is engaging, affectionate and humorous. It is a sort of reluctant love story. He is aware of his own shortcomings as a folkie but also alive to his niggling desire to experience old English popular culture, and to assess its relevance today.He makes a sobering juxtaposition between celebrations to bring in the May in the West Country and simultaneous May Day anti-capitalism protests in London.

For some, the English identity described by Lewis will be alien. That is all the more reason to read The Magic Spring and understand why others will find that they have discovered a book that sings to them, that sings their own songs - even when they might not have realised they had any.

Nick Groom's 'The Union Jack: a Biography' will be published in June

Buy any book reviewed on this site at Independent Books Direct
- postage and packing are free in the UK

Join our commenting forum

Join thought-provoking conversations, follow other Independent readers and see their replies

Comments

Thank you for registering

Please refresh the page or navigate to another page on the site to be automatically logged inPlease refresh your browser to be logged in