The Bride's Farewell, By Meg Rosoff

A spirited girl and her loyal horse

Nicholas Tucker
Tuesday 29 September 2009 00:00 BST
Comments

Your support helps us to tell the story

From reproductive rights to climate change to Big Tech, The Independent is on the ground when the story is developing. Whether it's investigating the financials of Elon Musk's pro-Trump PAC or producing our latest documentary, 'The A Word', which shines a light on the American women fighting for reproductive rights, we know how important it is to parse out the facts from the messaging.

At such a critical moment in US history, we need reporters on the ground. Your donation allows us to keep sending journalists to speak to both sides of the story.

The Independent is trusted by Americans across the entire political spectrum. And unlike many other quality news outlets, we choose not to lock Americans out of our reporting and analysis with paywalls. We believe quality journalism should be available to everyone, paid for by those who can afford it.

Your support makes all the difference.

Chinese prospective brides of old would sometimes choose to drown themselves rather than suffer domestic slavery. But Pell Ridley, the Victorian heroine of Meg Rosoff's latest novel, decides instead to escape on horseback from her village in the New Forest the night before her nuptials, accompanied by her mute, adolescent half- brother Bean.

Initially, she is able to put her instinctive, almost magical understanding of horses to good use at country fairs, before being swindled of what little she has left. After this, the story turns more Thomas Hardy than Daphne du Maurier, with Pell forced to live in squalor and often starving. Things are even worse for Bean, incarcerated in a workhouse which is little more than a killing-field for unwanted children.

So far, so bad, but Rosoff finally turns the tables, with Pell finding succour first with a friendly gypsy family and then a brooding upper-class poacher. Things meander to an almost optimistic conclusion, with Pell no longer in the spirit of Tess of the d'Urbervilles, but more of Isabella Bird, the 19th-century explorer, a remarkable woman, who insisted, despite being both ill and over-protected by her family, on riding a horse through the Canadian Rockies in a blizzard, before falling in love with a notorious outlaw.

Fifty years ago Barbara Leonie Picard wrote a fine novel, Ransom for a Knight, within which Alys, another spirited teenage heroine, also rides away in the small hours of the morning, this time aiming for the wilds of medieval Scotland. She, too, suffers from fleas, illness and lack of food and shelter, but there is not the sexual threat that hovers around Pell. Both novels are in a sense love stories for the noble, long-suffering horses that treat their young mistresses so gently and are in turn given every care and comfort. The horses never seem to mind, and the day when a historical novel aimed at adolescent-plus readers features a truly horrible steed has clearly yet to come – if indeed it ever does.

Join our commenting forum

Join thought-provoking conversations, follow other Independent readers and see their replies

Comments

Thank you for registering

Please refresh the page or navigate to another page on the site to be automatically logged inPlease refresh your browser to be logged in