Review: Soufflé, By Asli Perker

Tender tale rises to the challenge

Lucy Popescu
Saturday 27 April 2013 17:22 BST
Comments

Your support helps us to tell the story

From reproductive rights to climate change to Big Tech, The Independent is on the ground when the story is developing. Whether it's investigating the financials of Elon Musk's pro-Trump PAC or producing our latest documentary, 'The A Word', which shines a light on the American women fighting for reproductive rights, we know how important it is to parse out the facts from the messaging.

At such a critical moment in US history, we need reporters on the ground. Your donation allows us to keep sending journalists to speak to both sides of the story.

The Independent is trusted by Americans across the entire political spectrum. And unlike many other quality news outlets, we choose not to lock Americans out of our reporting and analysis with paywalls. We believe quality journalism should be available to everyone, paid for by those who can afford it.

Your support makes all the difference.

Soufflés are notoriously hard to get just right. The centres have a tendency to collapse as soon as they are out of the oven. Asli Perker's first novel to have been translated into English (she translated it herself) is similarly ambitious. The Turkish author has set herself a hard task by choosing to write about ageing, death, and grief in a domestic setting, but, for the most part, she pulls it off.

We follow the fortunes of three characters in late middle-age, living in different cities and coming to terms with dramatic changes in their lives. Lilia is 62 when her husband, Arnie, suffers a stroke. He becomes bedridden and all of their savings go on his hospital treatment, so Lilia has to rent rooms in their New York home to make ends meet. In Istanbul, Ferda's elderly mother, Mrs Nesibe, has also taken to her bed after breaking her hip. She refuses to get up and swiftly deteriorates into dementia. Marc, a Parisian, has lost his beloved wife of 22 years and suddenly has to look after himself.

Perker's characters seek solace in their cooking. Their stories are linked by one particular cookbook on soufflés, sub-titled "The Biggest Disappointment", and they all try their hand at this difficult dish. Along the way we learn that Lilia and Arnie's marriage has been a sham, and that years earlier she had unwittingly signed over any right to their shared assets. Perker eloquently captures Lilia's quiet despair as she comes to terms with her wasted years in a loveless marriage. This is neatly summarised in her brief fixation with one of her younger tenants that, almost inevitably, ends in disappointment. Meanwhile Marc has to learn to cook, which means buying kitchen utensils and learning how to use them – with disastrous consequences.

There is rather too much detail in some passages and Perker has a tendency to tell rather than show her characters' emotions, but she writes movingly about the ageing process, dealing with disappointment, and adapting to major life changes. She also writes very well about dementia and finds humour in Mrs Nesibe's frequent digressions and various alter egos. Like all good books that focus on food, Perker's descriptions of cooking should stimulate readers' taste buds and have them itching to get into the kitchen.

Join our commenting forum

Join thought-provoking conversations, follow other Independent readers and see their replies

Comments

Thank you for registering

Please refresh the page or navigate to another page on the site to be automatically logged inPlease refresh your browser to be logged in