Port Mungo by Patrick McGrath

Gauguin's lifestyle - minus talent

Thomas Hodgkinson
Sunday 05 September 2004 00:00 BST
Comments

Your support helps us to tell the story

From reproductive rights to climate change to Big Tech, The Independent is on the ground when the story is developing. Whether it's investigating the financials of Elon Musk's pro-Trump PAC or producing our latest documentary, 'The A Word', which shines a light on the American women fighting for reproductive rights, we know how important it is to parse out the facts from the messaging.

At such a critical moment in US history, we need reporters on the ground. Your donation allows us to keep sending journalists to speak to both sides of the story.

The Independent is trusted by Americans across the entire political spectrum. And unlike many other quality news outlets, we choose not to lock Americans out of our reporting and analysis with paywalls. We believe quality journalism should be available to everyone, paid for by those who can afford it.

Your support makes all the difference.

There is this assumption that artists can behave as they like - trample over other people's feelings, flout the conventional rules of morality - so long as the art they are producing is worthwhile. It is an assumption especially popular among artists. But what if - as must often be the case - there is some suspicion that the artist is a mediocrity? This is the question explored by Patrick McGrath's lurid Port Mungo, in which Jack Rathbone, a young English painter, shakes off the trammels of civilised life in London and New York, and moves to the Honduran mangrove swamps of Port Mungo, in search of inspiration à la Gauguin.

The book isn't short on incident - drunken scenes, sexual infidelities, mysterious deaths - nor on colourful characters. There's Jack's blowsy, brawling wife, Vera Savage, herself a painter; the dissolute doctor Johnny Hague, his moral backbone eaten away by the monotony of life in the tropics; and Gin, Jack's prim adoring sister, through whose biased eyes the story is told. This vivid, intoxicating novel often provokes, sometimes exasperates, but never bores.

Join our commenting forum

Join thought-provoking conversations, follow other Independent readers and see their replies

Comments

Thank you for registering

Please refresh the page or navigate to another page on the site to be automatically logged inPlease refresh your browser to be logged in