Paperbacks: Maestros, Masterpieces & Madness, by Norman Lebrecht

Christopher Hirst
Friday 08 August 2008 00:00 BST
Comments

Your support helps us to tell the story

From reproductive rights to climate change to Big Tech, The Independent is on the ground when the story is developing. Whether it's investigating the financials of Elon Musk's pro-Trump PAC or producing our latest documentary, 'The A Word', which shines a light on the American women fighting for reproductive rights, we know how important it is to parse out the facts from the messaging.

At such a critical moment in US history, we need reporters on the ground. Your donation allows us to keep sending journalists to speak to both sides of the story.

The Independent is trusted by Americans across the entire political spectrum. And unlike many other quality news outlets, we choose not to lock Americans out of our reporting and analysis with paywalls. We believe quality journalism should be available to everyone, paid for by those who can afford it.

Your support makes all the difference.

The subtitle, "The Secret Life & Shameful Death of the Classical Record Industry", covers only the first half of this book, a snappy, though not cliché-free ("CBS was young, hungry and punching above its weight") account of the record business from 1945 to its current moribund state, as EMI Classics issues McCartney's "oratorio" (LA Times: "gives saccharine a bad name'").

In the second half, on "100 Masterpieces of the Recorded Century", Lebrecht is knowledgeable but irritating. To describe a producer as "coming from a dreary corner of south-east London" and "the back of beyond" is pure snobbery.

Join our commenting forum

Join thought-provoking conversations, follow other Independent readers and see their replies

Comments

Thank you for registering

Please refresh the page or navigate to another page on the site to be automatically logged inPlease refresh your browser to be logged in