Horses of God, By Mahi Binebine. Granta, £12.99

 

Lucy Popescu
Tuesday 28 May 2013 18:02 BST
Comments

Your support helps us to tell the story

From reproductive rights to climate change to Big Tech, The Independent is on the ground when the story is developing. Whether it's investigating the financials of Elon Musk's pro-Trump PAC or producing our latest documentary, 'The A Word', which shines a light on the American women fighting for reproductive rights, we know how important it is to parse out the facts from the messaging.

At such a critical moment in US history, we need reporters on the ground. Your donation allows us to keep sending journalists to speak to both sides of the story.

The Independent is trusted by Americans across the entire political spectrum. And unlike many other quality news outlets, we choose not to lock Americans out of our reporting and analysis with paywalls. We believe quality journalism should be available to everyone, paid for by those who can afford it.

Your support makes all the difference.

Mahi Binebine's Welcome to Paradise (2003) was a harrowing tale of would-be illegal migrants waiting on a Moroccan beach for the boat that they hoped would take them to a better life. In this latest novel, translated by Lulu Norman, the author's characters are again trying to escape poverty. This time, paradise is the glorious afterlife promised to Islamist martyrs.

Horses of God, based on the 2003 suicide bombings of Casablanca's Hotel Farah, is narrated from beyond the grave. Through a series of anecdotes, Yachine introduces us to his family and friends, who live hand-to-mouth in Sidi Moumen, a slum on the outskirts of Casablanca. They make what they can from odd jobs and garbage-picking. Binebene builds a vivid portrait of life on the dump and illustrates how their harsh existence feeds feelings of alienation.

Despite their poverty, the boys enjoy moments of pleasure. They form a football team and compete against players from the other slums. Their exhilaration after winning often leads to debauched hashish- or meths-fuelled parties. Yachine's love for his friend's sister, Ghizlane, and their gentle courtship, is at odds with the shocking instances of violence against rival slum-dwellers.

Yachine is protected by his older brother, Hamid, whom he adores. When Hamid is befriended by Sheikh Abu Zoubeir and starts attending religious meetings, Yachine and his friends soon join them. They are tempted by the opportunity to learn martial arts, the promise of a roof over their heads, and food and work, in return for prayer. Eventually, they are asked to make the ultimate sacrifice.

Binebine is also a painter, and he uses all his senses to convey the squalor of the slum and "its camp fires, where random musicians, their petrol cans transformed into mandolins, unfurl their laments into a hashish-scented sky". This is in sharp contrast to the luxury hotel targeted by the suicide bombers.

However, as Yachine realises too late, violent jihad does not bring him paradise. Binebene movingly portrays the path from disillusionment to violence, and Horses of God is a timely reminder of how poverty crushes hope and breeds hatred.

Join our commenting forum

Join thought-provoking conversations, follow other Independent readers and see their replies

Comments

Thank you for registering

Please refresh the page or navigate to another page on the site to be automatically logged inPlease refresh your browser to be logged in