Grooving' High: The Life of Dizzy Gillespie by Alyn Shipton

Christopher Hirst
Saturday 15 December 2001 01:00 GMT
Comments

Your support helps us to tell the story

From reproductive rights to climate change to Big Tech, The Independent is on the ground when the story is developing. Whether it's investigating the financials of Elon Musk's pro-Trump PAC or producing our latest documentary, 'The A Word', which shines a light on the American women fighting for reproductive rights, we know how important it is to parse out the facts from the messaging.

At such a critical moment in US history, we need reporters on the ground. Your donation allows us to keep sending journalists to speak to both sides of the story.

The Independent is trusted by Americans across the entire political spectrum. And unlike many other quality news outlets, we choose not to lock Americans out of our reporting and analysis with paywalls. We believe quality journalism should be available to everyone, paid for by those who can afford it.

Your support makes all the difference.

Though the great bebop trumpeter was overshadowed by Charlie Parker and Miles Davis, Gillespie's dress, particularly his goatee and beret, has influenced a tranche of Bohemian youth since the Forties. In this prodigiously researched biography, Shipton insists that Gillespie's impact was much more profound: "he was a far more wide-ranging, innovative and original musician than Parker." Like Armstrong, his reputation suffered from jokiness and longevity. In parallel with his musical reassessment, Shipton describes Gillespie's personal odyssey from knife-wielding hothead and womaniser to Baha'i believer and humanitarian.

Join our commenting forum

Join thought-provoking conversations, follow other Independent readers and see their replies

Comments

Thank you for registering

Please refresh the page or navigate to another page on the site to be automatically logged inPlease refresh your browser to be logged in