Catch, By Simon Robson

A few slips, but plenty of edge

Reviewed,James Urquhart
Wednesday 06 January 2010 01:00 GMT
Comments

Your support helps us to tell the story

From reproductive rights to climate change to Big Tech, The Independent is on the ground when the story is developing. Whether it's investigating the financials of Elon Musk's pro-Trump PAC or producing our latest documentary, 'The A Word', which shines a light on the American women fighting for reproductive rights, we know how important it is to parse out the facts from the messaging.

At such a critical moment in US history, we need reporters on the ground. Your donation allows us to keep sending journalists to speak to both sides of the story.

The Independent is trusted by Americans across the entire political spectrum. And unlike many other quality news outlets, we choose not to lock Americans out of our reporting and analysis with paywalls. We believe quality journalism should be available to everyone, paid for by those who can afford it.

Your support makes all the difference.

The Separate Heart was actor Simon Robson's dramatic first foray into fiction. Its ten meaty stories offered plenty of emotional depth, with a mature combination of exuberant plotting and delicacy of feeling. The common thread was a powerful sense of common humanity and the need for reciprocity. Open your heart, Robson seemed to entreat, concluding most tales with a life-changing moment of self-awareness.

Precisely this emphasis permeates Catch, Robson's debut novel. This courageous and well-crafted but uneven work unpicks a woman's self-possession and engagement with society over the course of a traumatic day. Catharine's husband, Tom, a human-rights lawyer, is away overnight for the first time since their move to the country. Catharine wakes alone and begins fretting, mostly about her childlessness at 38; and her purpose in life, as Tom's domestic helpmeet without, it seems, any ambition or career beyond yearned-for motherhood.

Since the realisation that her passion for music would never make her a competent musician, Catharine has drifted, buoyed up by a sense of aloofness and a vigorous refusal to allow any ostentation to infect her meek behaviour. This presents a mighty challenge for a novelist: sustaining interest in an intense, perfumed meditation by a pallid protagonist.

Robson's theatre heritage injected vigour into his stories, whose few more numinous digressions proved more uncertain territory. But such digressions are the substance of Catch. It's as though Robson conceived of Catharine as a monologue but, confined to the page, her thoughts lack the edginess a stage presence might confer.

As the day progresses, she is drawn into encounters with other villagers, but these dialogues burst into her self-absorption with a sort of gigantism seemingly deployed to batter her confidence.

Catharine's weathering of her dearly purchased self-awareness remains more residual than cathartic. Yet this is still a potent work, clear evidence of a promising talent.

Join our commenting forum

Join thought-provoking conversations, follow other Independent readers and see their replies

Comments

Thank you for registering

Please refresh the page or navigate to another page on the site to be automatically logged inPlease refresh your browser to be logged in