Baggage: my childhood by Janet Street-Porter

A blast for the past

Laurie Taylor
Friday 21 May 2004 00:00 BST
Comments

Your support helps us to tell the story

From reproductive rights to climate change to Big Tech, The Independent is on the ground when the story is developing. Whether it's investigating the financials of Elon Musk's pro-Trump PAC or producing our latest documentary, 'The A Word', which shines a light on the American women fighting for reproductive rights, we know how important it is to parse out the facts from the messaging.

At such a critical moment in US history, we need reporters on the ground. Your donation allows us to keep sending journalists to speak to both sides of the story.

The Independent is trusted by Americans across the entire political spectrum. And unlike many other quality news outlets, we choose not to lock Americans out of our reporting and analysis with paywalls. We believe quality journalism should be available to everyone, paid for by those who can afford it.

Your support makes all the difference.

Some alter egos sit uneasily alongside their host persona. It's difficult enough to come to terms with Delia Smith's other life as the majority shareholder in Norwich City FC. How can someone who treats a mere egg with reverential respect suddenly become so recklessly partisan about 11 men in yellow shirts? But far stranger is the news that Janet Street-Porter manages to combine all the diverse elements of her media life with the vice-presidency of the Ramblers Association.

No doubt she's interested in public rights of way and genuinely loves the open countryside, but the notion that she ever moved through it at a speed that could be described as "rambling" is clearly nonsense. Janet doesn't ramble. She strides along at a rate of knots with her head high in the air. She talks as she walks and is notoriously intolerant of anyone who falls by the wayside.

This is the Janet we have come to recognise over the years and it is certainly the Janet we get in this autobiography of her childhood, adolescence and first marriage. There is no hanging around, no pauses for reflection, no sense of guilt or shame, no sympathy for those unable to maintain the killing pace.

It's almost as though the author has not quite grasped the point of an autobiography; almost as though, in an idle moment, she accepted a commission and then had to ring up and find out what was required. "Tell the readers about your childhood years in working-class Fulham and your relations with your Welsh mother and your father and your sister. Tell them about how you broke away from the restrictions of home and family and became involved in swinging London."

If that was the case, she certainly took the advice. On some pages the facts of life at home are set down with all the elaboration of an auction bill of sale. "Every Sunday, when my sister and I came home from Sunday School, we would have high tea at 5pm - a tin of ham or tongue, salad cream, spring onions, beetroot, and slices of white bread. A home-made sponge cake and a large pot of tea, and then my mother would inspect all the tea leaves at the bottom of our cups and try to tell our fortunes for the weeks ahead. It was an entertaining diversion, followed by a wash in the tin bath in the kitchen in front of the fire, while listening to Journey into Space on the radio."

Not much more space, and certainly no more self-consciousness, is expended upon more momentous happenings in her early life: the attempt to murder her own sister ("without any warning I rushed up behind her and whacked her in the small of her back with all my might"), or her two abortions ("I slid into a deep sleep, and awoke... to discover a large wodge of sanitary towel wedged between my legs").

What else could we have expected from Janet Street-Porter: ambiguity, uncertainty? Of course not. And that's what gives this little book its peculiar power and appeal. It successfully resists nearly every cliché of the self-justifying showbiz biography. It strides ahead with a terrible self-certainty, leaving a trail of biographical victims in its wake. It is crassly edited and frighteningly honest. It will confirm her enemies' prejudices and make no new friends. How very refreshing!

Laurie Taylor presents 'Thinking Allowed' on Radio 4

Join our commenting forum

Join thought-provoking conversations, follow other Independent readers and see their replies

Comments

Thank you for registering

Please refresh the page or navigate to another page on the site to be automatically logged inPlease refresh your browser to be logged in