An Evil Eye, By Jason Goodwin
Murder most foul on the Bosphorus
Your support helps us to tell the story
From reproductive rights to climate change to Big Tech, The Independent is on the ground when the story is developing. Whether it's investigating the financials of Elon Musk's pro-Trump PAC or producing our latest documentary, 'The A Word', which shines a light on the American women fighting for reproductive rights, we know how important it is to parse out the facts from the messaging.
At such a critical moment in US history, we need reporters on the ground. Your donation allows us to keep sending journalists to speak to both sides of the story.
The Independent is trusted by Americans across the entire political spectrum. And unlike many other quality news outlets, we choose not to lock Americans out of our reporting and analysis with paywalls. We believe quality journalism should be available to everyone, paid for by those who can afford it.
Your support makes all the difference.It's 1839, a dramatic moment in Turkish history.
The dreaded Sultan Mahmut II, who destroyed the Janissaries, is dead and his 16-year-old successor is moving into the palace: not the ancient royal warren of Topkapi but the modern, Frenchified Besiktas built by Mahmut. The old Sultan had not, however, abandoned one tradition: he had maintained a huge harem, which now has to be re-housed or dispersed with the coming of the new ruler, who would bring his own horde of women.
Naturally, there are many malcontents among the dispossessed, among them the old Sultan's sister, Princess Talfa. An expert at intrigue, she sets out to make life hard for the newcomers. Various minor unpleasantnesses (rat's tails in the make-up jar, wax figurines set with children's teeth) lead to greater horrors. Their culmination may lie in the dreaded "engine", a turntable which tipped recalcitrant women down into the Bosphorus.
Jason Goodwin's subtle investigator, Yashim, now on his fourth case, is especially suited to mysteries in the harem – for, as a eunuch, he is one of the few outsiders to have access to this secret world. But Yashim also has problems to solve outside. A body bearing a strange tattoo has been found in a monastery cistern and Yashim's old friend, the Polish ambassador Stanislaw Palewski, is able to identify the mark on the dead man as signifying membership of a secret Russian organisation. On the larger political scene, Turkey the "Sick Man of Europe" is already in decline and the Great Powers are waiting to pounce. So in Yashim's investigations the stakes are high indeed. Deeply embroiled in these complexities is Fevzi Ahmed, Yashim's old enemy, Moriarty to this Ottoman Holmes.
The bare outlines are enlivened by Goodwin's skilful use of colour and detail, especially Yashim's recipes, which set the reader drooling. As a historian, Goodwin is scrupulous. Giuseppe Donizetti Pasha, brother of the better-known Gaetano, was indeed Music Master at the Ottoman court. Goodwin's account of his efforts to instruct young ladies makes entertaining reading. Nor is this some idealised view of the harem, of pearly-skinned odalisques in marble baths. There is a horrific account of the death of a pregnant slave, and it is in a disused harem bath that another body is found. Historical novels may be sometimes lightly regarded, but this one is full of the virtues of that genre, bringing to life an immeasurably different world.
Join our commenting forum
Join thought-provoking conversations, follow other Independent readers and see their replies
Comments