A Word in Your Ear: Girl With a Pearl Earring <br></br>Made in America

Christina Hardyment
Saturday 17 August 2002 00:00 BST
Comments

Your support helps us to tell the story

This election is still a dead heat, according to most polls. In a fight with such wafer-thin margins, we need reporters on the ground talking to the people Trump and Harris are courting. Your support allows us to keep sending journalists to the story.

The Independent is trusted by 27 million Americans from across the entire political spectrum every month. Unlike many other quality news outlets, we choose not to lock you out of our reporting and analysis with paywalls. But quality journalism must still be paid for.

Help us keep bring these critical stories to light. Your support makes all the difference.

Tracy Chevalier's Girl With a Pearl Earring (HarperCollins, c.3 hrs, £8.99) is a simple and beautiful historical novel inspired by a simple and beautiful painting by Vermeer. Chevalier writes like a painter, with sharp visual detail; audio allows your imaginary eye to conjure up 17th-century Delft and its people all the better, because your real eye is not tied to the page. Chevalier casts the wide-eyed girl glancing over her shoulder in Vermeer's startlingly immediate portrait (helpfully reproduced on the cover) as the daughter of an invalid Delft tilemaker who takes service in the painter's household and falls deeply in love with him as an artist as much as a man. It's a convincing story which sustains its suspense to the end and leaves you satisfied. Isla Blair's ice-fresh but intimate reading is perfect: I'd love to hear more of her on spoken word.

Bill Bryson's Made in America (Chivers, c.18 hrs, £19.50 mail order 0800 136919), jovially read by William Roberts, is also excellent audio as it's about language: why Americans speak English in such a different way, and where they got their vocabulary. In the process of explaining the provenance of words like bacon (pork smoked by Caribbean pirates in a stove called a "boucan") and Chevrolet (a failed French chauffeur), and why Americans say "lootenant" and not "leftenant", Bryson also provides a whistlestop history of the US itself, and the magnificent patchwork of peoples who have contributed to its cullture.

Join our commenting forum

Join thought-provoking conversations, follow other Independent readers and see their replies

Comments

Thank you for registering

Please refresh the page or navigate to another page on the site to be automatically logged inPlease refresh your browser to be logged in