Stay up to date with notifications from The Independent

Notifications can be managed in browser preferences.

Roald Dahl Day: From Tales of the Unexpected to Switch Bitch, Dahl's undervalued stories for adults

How Dahl brought his macabre, unsentimental outlook to tales which showed adults the ways of the real world

Clarisse Loughrey
Wednesday 13 September 2017 09:53 BST
Comments
British writer Roald Dahl (1916 - 1990), 11th December 1971
British writer Roald Dahl (1916 - 1990), 11th December 1971 (Getty)

Your support helps us to tell the story

From reproductive rights to climate change to Big Tech, The Independent is on the ground when the story is developing. Whether it's investigating the financials of Elon Musk's pro-Trump PAC or producing our latest documentary, 'The A Word', which shines a light on the American women fighting for reproductive rights, we know how important it is to parse out the facts from the messaging.

At such a critical moment in US history, we need reporters on the ground. Your donation allows us to keep sending journalists to speak to both sides of the story.

The Independent is trusted by Americans across the entire political spectrum. And unlike many other quality news outlets, we choose not to lock Americans out of our reporting and analysis with paywalls. We believe quality journalism should be available to everyone, paid for by those who can afford it.

Your support makes all the difference.

Roald Dahl let children thrive in a world of whimsy - of "Twits" and "whizzpop" - but neither did he shield them from reality: his stories were always so unsentimental, so macabre in their attitude. Whimsy was a vehicle to teach the ways of the world.

To adults, he presented things simply as they were. Little known, in comparison to Matilda or Charlie and the Chocolate Factory, Dahl enjoyed a parallel career penning (largely) macabre and twist-filled short stories for adults.

For the most part, they appeared far away from the peering eyes of children in editions of Collier's, Ladies Home Journal, Harper's, Playboy, or The New Yorker; he did, however, publish several anthologies of his works.

1960's Kiss Kiss collects some of his most morbid work together, an amplification of the darkest parts of his stories for children; again and again, we see nasty surprises and untimely ends for our characters. Some are more deserved, others far less so.

A harassed wife leaves her husband to die in a trapped elevator. A bed and breakfast owner poisons her guests and stuffs them. A mother prays for her frail infant son's survival, only for the revelation the child is Adolf Hitler.

A beekeeper feeds his child royal jelly, discovering the child has grown "fat and white and comatose, like some gigantic grub that was approaching the end of its larval life and would soon emerge into the world complete with mandibles and wings."


NPR's Zoe Chace once described what a strange, and profound effect, coming across Kiss Kiss as a child had on her. "Reading Kiss Kiss is one of the first times I can remember a real-life truth staring back at me from a book," she stated. "I hadn't yet thought about the nasty tricks adults play on each other just to hurt each other. Particularly, married adults who aren't in love and who might know the others weakness best."

1974's Switch Bitch, meanwhile, collects together four stories of sexual indiscretion published for Playboy. Two of the stories, The Visitor and Bitch, centre on the character of Uncle Oswald, whose elaborate misadventures are documented in a series of diary entries.

However, most familiar will be Dahl's Tales of the Unexpected, which includes some entries from Kiss Kiss, published in 1979; a TV show of the same name aired on ITV between 1979 and 1988, adapting many of Dahl's short stories and featuring introductions from the author himself.

Roald Dahl's best quotes

The anthology notably includes Lamb to the Slaughter, which was also adapted for TV for an episode of Alfred Hitchcock Presents; it sees a wife murder her husband with a frozen leg of lamb, which she then cooks and serves to the police as a way of destroying the evidence.

When officers suggest the murder weapon is "probably right under our very noses", she can't help but giggle.

Join our commenting forum

Join thought-provoking conversations, follow other Independent readers and see their replies

Comments

Thank you for registering

Please refresh the page or navigate to another page on the site to be automatically logged inPlease refresh your browser to be logged in