Arts review: Bruce Munro, Winter Light At Waddesdon

Waddesdon Manor, Buckinghamshire

Zoe Pilger
Tuesday 19 November 2013 17:50 GMT
Comments
Bruce Munro's 'River of Light' is 'dazzling but not necessarily in a good way'
Bruce Munro's 'River of Light' is 'dazzling but not necessarily in a good way' (Kathryn Hobbs, Waddesden Manor)

Your support helps us to tell the story

From reproductive rights to climate change to Big Tech, The Independent is on the ground when the story is developing. Whether it's investigating the financials of Elon Musk's pro-Trump PAC or producing our latest documentary, 'The A Word', which shines a light on the American women fighting for reproductive rights, we know how important it is to parse out the facts from the messaging.

At such a critical moment in US history, we need reporters on the ground. Your donation allows us to keep sending journalists to speak to both sides of the story.

The Independent is trusted by Americans across the entire political spectrum. And unlike many other quality news outlets, we choose not to lock Americans out of our reporting and analysis with paywalls. We believe quality journalism should be available to everyone, paid for by those who can afford it.

Your support makes all the difference.

British artist Bruce Munro, 54, describes himself as a “professional daydreamer.” He has created a series of six winter light installations in the stunning gardens of Waddesdon Manor, owned by the Rothschilds and bequeathed to The National Trust in the 1950s.

Munro’s sprays of fluorescent fibre-optic light are turned on at dusk. They are large and conceptual: giant balls which recall Christmas decorations, neon owls’ eyes, tepees that flash like the décor of a rave, breaking the deep stillness of the Buckinghamshire countryside.

The installations are not altogether successful: I personally would rather just enjoy the darkness and the stars, so visible here. Who needs florescent spectacles when you have such natural beauty?

However, Munro is a heart-felt artist and some of these works are designed to harmonize with the environment. River of Light (2004-13) is a swirling path of glass bulbs on stems that meander in fairground pinks, purples, and blues down a hill. It is dazzling but not necessarily in a good way.

Elsewhere, Mynah Words (2013) is an installation of speech bubbles suspended above florescent perches, hanging from the ceiling of the Rothschilds’ aviary. They appear lurid, an unwelcome reminder of the manic chatter of city life.

Join our commenting forum

Join thought-provoking conversations, follow other Independent readers and see their replies

Comments

Thank you for registering

Please refresh the page or navigate to another page on the site to be automatically logged inPlease refresh your browser to be logged in