Portfolio: John Resborn

 

Robert Epstein
Thursday 11 April 2013 22:07 BST
Comments

Your support helps us to tell the story

From reproductive rights to climate change to Big Tech, The Independent is on the ground when the story is developing. Whether it's investigating the financials of Elon Musk's pro-Trump PAC or producing our latest documentary, 'The A Word', which shines a light on the American women fighting for reproductive rights, we know how important it is to parse out the facts from the messaging.

At such a critical moment in US history, we need reporters on the ground. Your donation allows us to keep sending journalists to speak to both sides of the story.

The Independent is trusted by Americans across the entire political spectrum. And unlike many other quality news outlets, we choose not to lock Americans out of our reporting and analysis with paywalls. We believe quality journalism should be available to everyone, paid for by those who can afford it.

Your support makes all the difference.

Eccentric toilet, Love Me Butch, Burgerkill… the names of the bands on the CD that accompanies siblings John and Lena Resborn's underground-music journey through Southeast Asia might sound juvenilely abstruse– but the bands themselves are deadly serious.

They have to be. Due to religious and political oppression, heavy metal on this continent has consequences. "As metal has become more mainstream in the West, it has lost its rebellion," says John Resborn. "Nobody cares if you listen to Marilyn Manson or Norwegian black metal and say you worship Satan and dress in black. If you do that in, let's say, Malaysia, you risk being thrown in religious rehab." It is not for nothing that Ai Weiwei recently announced that his next project will be a metal album.

Max, of black-metal band Balabans, painted on his corpse paint specifically for John, the photographer of the duo, and his journalist sister. The black-metal get-up is considered blasphemous in Malaysia, where he lives, but he wanted to show his true colours.

Man Jasad, known as the "President of Metal" in Indonesia, is one of the scene's most respected figures. A "growler" in brutal-death-metal band Jasad and vocalist with traditional bamboo-instruments band Karinding Attack, he also holds talks with the authorities about the underground movement. Talks which allow events such as those held in football stadia, top left, with the army serving as security. Bandung in Java, where this festival was held, "is like a mecca for underground creativity", according to Resborn.

Though many play just for love of the music, from Jakartan Islamists spreading jihad through political grindcore to female goth-metallists fighting for feminism while performing in their veils, there is a sedition present that echoes that in the West 30 years ago. Or almost: outside the cramped Chiang Mai café in which Thai band Opportunity were playing their gig, bottom right, there was a banner on the wall by the entrance that read: "No alcohol, No drugs – Just fun."

'Labour of Love and Hate' is published by Turnaround (turnaround-uk.com), priced £25, on 6 June

Join our commenting forum

Join thought-provoking conversations, follow other Independent readers and see their replies

Comments

Thank you for registering

Please refresh the page or navigate to another page on the site to be automatically logged inPlease refresh your browser to be logged in