In the studio: Varda Caivano, artist - 'My paintings are like thoughts... I make many of them at the same time'

 

Karen Wright
Friday 03 January 2014 20:00 GMT
Comments
True colours: Varda Caivano in her east London studio
True colours: Varda Caivano in her east London studio (Francis Lamb)

Your support helps us to tell the story

From reproductive rights to climate change to Big Tech, The Independent is on the ground when the story is developing. Whether it's investigating the financials of Elon Musk's pro-Trump PAC or producing our latest documentary, 'The A Word', which shines a light on the American women fighting for reproductive rights, we know how important it is to parse out the facts from the messaging.

At such a critical moment in US history, we need reporters on the ground. Your donation allows us to keep sending journalists to speak to both sides of the story.

The Independent is trusted by Americans across the entire political spectrum. And unlike many other quality news outlets, we choose not to lock Americans out of our reporting and analysis with paywalls. We believe quality journalism should be available to everyone, paid for by those who can afford it.

Your support makes all the difference.

Varda Caivano works in a studio close to the train tracks in semi-fashionable Hackney Wick, east London, near where she lives with her partner and young son. Her studio is small, with many paintings turned face to the walls. People are coming soon to collect paintings for her upcoming show at a gallery in Tokyo, and she is still considering what to send. "I always take 40 per cent more then I need so I can see how it looks in the space."

Caivano has had a high-profile year, with a room of her paintings included in the Venice Biennale. Biennale director, Massimiliano Gioni, selected works with her via Skype, she confides, as she makes me a strong coffee.

Born in 1971 in Buenos Aires, with a Jewish psychoanalyst mother and Danish/Italian father, she confesses that her life was comfortable. She attended "a Jewish school that had a lot of recreational activities; it was a really liberal, fun place to learn." Her family were all doctors "so I studied biology, but eventually decided I wanted to be a painter." Her mother encouraged her to study art history, which she did before "getting a scholarship" at Buenos Aires artist Guillermo Kuitca's studio. She then got a job in a museum.

Spending her days studying works of art, she asked questions about technique that seemed to irritate the curators, before admitting that this was not what she wanted to do.

Caivano came to London and attended the Royal College of Art. Chris Ofili, a fan of her work, introduced her to her gallerist Victoria Miro, with whom she continues to show.

Caivano hangs some paintings for me to look at. They are tantalising: elements of figuration flirt with total abstraction and the palette of blues and violets is both seductive and mystical. "I think the paintings are like thoughts," she says. I point out how unusual it is to see so many paintings in a studio at one time, and she replies: "I think the studio works like a head, because I make many paintings at the same time."

It is up to the viewer to make their own decisions about the canvases. Caivano does not make it easy, leaving them untitled. "I don't want to tell them titles, or anything – but I want to explain to them that this is what's happening in the studio."

"I think it's also because the function of some paintings is to have fights and arguments with other paintings, rather than just sitting there." The activity of the work chimes with her own intense involvement. "I mean, you paint with all of you! You paint with what you read, what you see, with what you know."

Vara Caivano will be showing at Victoria Miro Gallery, London (020 7336 8109) in 2014

Join our commenting forum

Join thought-provoking conversations, follow other Independent readers and see their replies

Comments

Thank you for registering

Please refresh the page or navigate to another page on the site to be automatically logged inPlease refresh your browser to be logged in