Art: Private View - The Citibank Photography Prize

Richard Ingleby
Saturday 23 January 1999 00:02 GMT
Comments

Your support helps us to tell the story

From reproductive rights to climate change to Big Tech, The Independent is on the ground when the story is developing. Whether it's investigating the financials of Elon Musk's pro-Trump PAC or producing our latest documentary, 'The A Word', which shines a light on the American women fighting for reproductive rights, we know how important it is to parse out the facts from the messaging.

At such a critical moment in US history, we need reporters on the ground. Your donation allows us to keep sending journalists to speak to both sides of the story.

The Independent is trusted by Americans across the entire political spectrum. And unlike many other quality news outlets, we choose not to lock Americans out of our reporting and analysis with paywalls. We believe quality journalism should be available to everyone, paid for by those who can afford it.

Your support makes all the difference.

The Citibank Photography Prize The Photographers' Gallery, London WC2

The Citibank photography prize, now in its third year, opens on 6 February with five artists competing for the pounds 10,000 award. The Sam Taylor Wood school of photography is much in evidence these days - elaborate staged tableaus of the artist and friends pretending activity or striking a pose - and this shortlist is no exception, with Paul Smith and Yinka Shonibare giving different takes on the theme of staged self-portraiture.

Shonibare's Diary of an Edwardian Dandy involves a lot of dressing up in fancy costumes, which looks quite fun but faintly pointless, while Smith enacts a lad's world of army life and nights on the town with all parts played by himself in a complex weave of computer fiddling.

Smith's idea is a funny one, convincingly pulled off, but it's hard to think it will be judged "the most significant contribution to the medium of photography over the last year". But then, the awarding of art prizes is a notoriously odd business.

Last year's Citibank winner, the German photographer Andreas Gursky (above), is also showing work in London (see Serpentine listing, left) which confirms him a worthy winner. He's an ambitious photographer who makes his trade look very simple, though in truth the images are carefully planned and structured. There's a vastness that gives the subject, however mundane, an epic quality with mankind reduced almost to dust. It's an odd, rather disorientating trick and very effective.

Photographers' Gallery, 5 Gt Newport Street, London WC2 (0171-831 1772) 6 Feb-3 Apr

Join our commenting forum

Join thought-provoking conversations, follow other Independent readers and see their replies

Comments

Thank you for registering

Please refresh the page or navigate to another page on the site to be automatically logged inPlease refresh your browser to be logged in