A Critical Guide: It takes allsorts to make this 'Nutcracker'

Anne Sacks
Sunday 05 December 1993 00:02 GMT
Comments

Your support helps us to tell the story

From reproductive rights to climate change to Big Tech, The Independent is on the ground when the story is developing. Whether it's investigating the financials of Elon Musk's pro-Trump PAC or producing our latest documentary, 'The A Word', which shines a light on the American women fighting for reproductive rights, we know how important it is to parse out the facts from the messaging.

At such a critical moment in US history, we need reporters on the ground. Your donation allows us to keep sending journalists to speak to both sides of the story.

The Independent is trusted by Americans across the entire political spectrum. And unlike many other quality news outlets, we choose not to lock Americans out of our reporting and analysis with paywalls. We believe quality journalism should be available to everyone, paid for by those who can afford it.

Your support makes all the difference.

THE Marshmallow Girls (above) are fluffy and bouncy and they live in Sweetieland with the Gobstoppers, Knickerbocker Glory and Liquorice Allsorts. No, they are not from Sweets 'R' Us but from Matthew Bourne's wacky version of The Nutcracker. Bourne, the choreographer and director of Adventures of Motion Pictures, has enlarged his company to 18 for his vivacious reworking of the Petipa classic. The action begins in a drab 19th-century orphanage, presided over by the monstrous Dr Dross, from which poor Little Clara dreams of escape. Out of this grows Sweetieland, a fantasy world of confection. Clara and her handsome hunk journey through one sticky sequence after another, but, unfortunately for Clara, her beau always returns to the delights of the fragrant Princess Sugar - until a happy ending is suggested. The ballet is inventive and fun, skilfully engaging Tchaikovsky's score, but also thought-provoking and sad. (Sadler's Wells, Rosebery Avenue, London EC1, 071-278 8916, Wed to 18 December.)

(Photograph omitted)

Join our commenting forum

Join thought-provoking conversations, follow other Independent readers and see their replies

Comments

Thank you for registering

Please refresh the page or navigate to another page on the site to be automatically logged inPlease refresh your browser to be logged in