Album: Various artists

Exit Music: Songs with Radio Heads, BBE/RAPSTER

Andy Gill
Friday 31 March 2006 00:00 BST
Comments

Your support helps us to tell the story

From reproductive rights to climate change to Big Tech, The Independent is on the ground when the story is developing. Whether it's investigating the financials of Elon Musk's pro-Trump PAC or producing our latest documentary, 'The A Word', which shines a light on the American women fighting for reproductive rights, we know how important it is to parse out the facts from the messaging.

At such a critical moment in US history, we need reporters on the ground. Your donation allows us to keep sending journalists to speak to both sides of the story.

The Independent is trusted by Americans across the entire political spectrum. And unlike many other quality news outlets, we choose not to lock Americans out of our reporting and analysis with paywalls. We believe quality journalism should be available to everyone, paid for by those who can afford it.

Your support makes all the difference.

It's not quite a case of no alarms and no surprises on this album of cover versions of Radiohead songs, but there's hardly what you'd call a preponderance of shocking reinterpretations.

Given the band's own jazz leanings on their last few albums, it's entirely predictable that most of the contributors to Exit Music should adopt the same option, with Mark Ronson adding flatulent horns to "Just" and The Randy Watson Experience treating "Morning Bell" to the fluttering vibrato of electric piano and jazz drumming. Both are spoilt by drab R&B vocals, unlike Pete Kuzma's "High and Dry", where the soulful style is simply an extension of the original's tone.

Best of the jazz covers is The Bad Plus's "Karma Police", which develops from restrained beginnings to something more frenetic. Elsewhere, Osunlade & Erro's "Everything In Its Right Place" is marked by lots of funky Afro-Latin percussion, Matthew Herbert & Mara Carlyle's "(Nice Dream)" sounds like a Steve Reich vocal piece accompanied by wheezing iron-lung accordion, and a conjunction of sinister male and inveigling female vocals lends a peculiar tension to Sa-Ra's "In Limbo".

DOWNLOAD THIS: 'Karma Police', 'Everything in its Right Place', 'High and Dry'

Join our commenting forum

Join thought-provoking conversations, follow other Independent readers and see their replies

Comments

Thank you for registering

Please refresh the page or navigate to another page on the site to be automatically logged inPlease refresh your browser to be logged in