Stay up to date with notifications from The Independent

Notifications can be managed in browser preferences.

Prada spring/summer 2016 menswear review: a fusion of opposites

Overwhelmingly - and endearingly - at the heart of this Prada show was a throbbing, raw core of vulnerability

Alexander Fury
Monday 22 June 2015 15:26 BST
Comments
A bunny-motif jumper in Prada’s Men Spring-Summer 2016 collection at Milan’s Fashion Week
A bunny-motif jumper in Prada’s Men Spring-Summer 2016 collection at Milan’s Fashion Week (AFP/Getty)

Your support helps us to tell the story

From reproductive rights to climate change to Big Tech, The Independent is on the ground when the story is developing. Whether it's investigating the financials of Elon Musk's pro-Trump PAC or producing our latest documentary, 'The A Word', which shines a light on the American women fighting for reproductive rights, we know how important it is to parse out the facts from the messaging.

At such a critical moment in US history, we need reporters on the ground. Your donation allows us to keep sending journalists to speak to both sides of the story.

The Independent is trusted by Americans across the entire political spectrum. And unlike many other quality news outlets, we choose not to lock Americans out of our reporting and analysis with paywalls. We believe quality journalism should be available to everyone, paid for by those who can afford it.

Your support makes all the difference.

One couldn’t help but connect the see-through panels of sheeting preciously positioned, like plexiglass guillotine blades, above the heads of the guests at Prada with a new financial transparency currently heavily in fashion.

At least, I couldn’t. When you know how much money brands are making (or losing), you consider their actions differently. Fashion is a business - nothing is done purely for creative pleasure.

That said, Miuccia Prada and her husband Patrizio Bertelli have sunk several million (allegedly - no official figures are available) into a Rem Koolhaas-designed foundation celebrating just that, a permanent home for their collection of contemporary art covering almost 120,000 square feet.

After their spring 2016 fashion show (ostensibly menswear, but also showcasing a clutch of women’s designs), the label inaugurated the space - fashionably late, as it opened to the public over a month ago.

It’s impossible not to view the latest Prada collection in that context, nor to ignore the fact that Prada’s share prices have been slipping over the past six months (they hit a three-year low a week ago). See what I mean about financial transparency? Thinking of those figures influenced my view of Miuccia Prada’s latest menswear collection, with its slip-sliding clothes haphazardly layered, contrasting two-piece suits and tracksuits, jackets yanked up and pulled off shoulders to bare skinny sternums. Tug all that stuff straight and strip it down to basics, and the stuff will have an easy ride to stores.

That said, it wasn’t simple commerce on show. In fact, it was a display of how difficult it can be to satisfy both worlds, marrying opposing demands of sales and sensation. A mix, a mash-up, something of a mess - but supremely controlled.

A fusion of opposites seemed to be an overriding motif, not just the business-meets-pleasure mashing together of tailoring and sportswear but luxurious stuff like python (Mrs Prada dubbed that “the new poplin” backstage, explaining its use as unsummery shirting) with slithery nylon and leatherette, dressing and undressing via those peeling layers and gangly exposed legs and chests, and the whole juxtaposition of men with women (an old story, but Prada showed their womenswear resort line in tandem with their mens, so it rings true).

Overwhelmingly - and endearingly - at the heart of this Prada show was a throbbing, raw core of vulnerability. It felt exposed, like all that transparent sheeting, like those financial figures. There were rabbits dotted across sweaters, along with vector arrows and sportscars - the latter two symbols of speed precarious, fast-moving and dangerous; the former prey animals. Deep and meaningful arty-farty referencing? Perhaps - but maybe their meaning can be reduced to the level of cutesy, instantly-recognisable motifs that are bound to shift by the shedload.

Nevertheless, the fact Prada can evoke such complex thought patterns - high art, high finance, human vulnerability and redefinition of luxury - by tugging a jacket off a man’s shoulder, is an expression of fashion at its very finest. One that deserves to sell, too.

Join our commenting forum

Join thought-provoking conversations, follow other Independent readers and see their replies

Comments

Thank you for registering

Please refresh the page or navigate to another page on the site to be automatically logged inPlease refresh your browser to be logged in