Russia's Lost Princesses, TV review: Getting swept up in a glorious fairytale

 

Ellen E. Jones
Friday 22 August 2014 00:51 BST
Comments
Olga, Tatiana, Maria and Anastasia were described as 'the most photographed princesses of their time'
Olga, Tatiana, Maria and Anastasia were described as 'the most photographed princesses of their time' (BBC Two)

Your support helps us to tell the story

From reproductive rights to climate change to Big Tech, The Independent is on the ground when the story is developing. Whether it's investigating the financials of Elon Musk's pro-Trump PAC or producing our latest documentary, 'The A Word', which shines a light on the American women fighting for reproductive rights, we know how important it is to parse out the facts from the messaging.

At such a critical moment in US history, we need reporters on the ground. Your donation allows us to keep sending journalists to speak to both sides of the story.

The Independent is trusted by Americans across the entire political spectrum. And unlike many other quality news outlets, we choose not to lock Americans out of our reporting and analysis with paywalls. We believe quality journalism should be available to everyone, paid for by those who can afford it.

Your support makes all the difference.

Russia's Lost Princesses on BBC2 last night told a story with a foregone conclusion. As history students know, the four daughters of Tsar Nicholas II, were killed along with their parents, their younger brother and some of their most loyal servants, at the climax of the Russian Revolution in 1918.

The historians featured in part one of this two-part documentary stopped short of a Kardashians comparison, but they did describe Olga, Tatiana, Maria and Anastasia as "the most photographed princesses of their time" – and several images of their photogenic faces are there to prove it. A certain breed of historian-sycophant thinks nothing of extolling the beauty of obviously inbred aristocrats, but these beauties really were wasted on an age without Instagram.

Since their deaths they have become literal icons within the Russian Orthodox church, but it is not merely beauty or tragedy at the root of this semi-mystical reverence, it's the simple fact that they died before they were able to become anything but beautiful enigmas. A documentary that promises to help us get to know these unknowable young women seems to miss that point. All the same, it offers a glorious fairy tale to get swept up in.

Join our commenting forum

Join thought-provoking conversations, follow other Independent readers and see their replies

Comments

Thank you for registering

Please refresh the page or navigate to another page on the site to be automatically logged inPlease refresh your browser to be logged in