Luther, BBC1 - TV review: Please let's skip the clifftop cottage cliché and get straight to the murder

Luther has always been one of the creepier cop shows but this was very dark

Alice Jones
Tuesday 15 December 2015 23:08 GMT
Comments
Living on the hedge: Idris Elba stars as the disturbed detective in 'Luther'
Living on the hedge: Idris Elba stars as the disturbed detective in 'Luther' (BBC)

Your support helps us to tell the story

From reproductive rights to climate change to Big Tech, The Independent is on the ground when the story is developing. Whether it's investigating the financials of Elon Musk's pro-Trump PAC or producing our latest documentary, 'The A Word', which shines a light on the American women fighting for reproductive rights, we know how important it is to parse out the facts from the messaging.

At such a critical moment in US history, we need reporters on the ground. Your donation allows us to keep sending journalists to speak to both sides of the story.

The Independent is trusted by Americans across the entire political spectrum. And unlike many other quality news outlets, we choose not to lock Americans out of our reporting and analysis with paywalls. We believe quality journalism should be available to everyone, paid for by those who can afford it.

Your support makes all the difference.

Idris Elba was nominated for a Golden Globe for this new two-part Luther before it even screened in the UK, so it must a) be good and b) feature Elba's John Luther doing something more interesting than pottering about on extended leave. That didn't stop the hour beginning, as all detective series must begin at some point, with the hero living in a draughty cottage on a blustery clifftop, wearing thick knitwear and stubble, and having flashbacks.

"The days seem to fill themselves, really," he said in a voice as bleak as the director's Scandi-inspired palette. If I had a Christmas wish it would be to banish the retired-detective-being-lured-back-for-one-last-job trope. We know they are going to return, their name is in the title, so skip the cottage and get to the murder, I say.

Luther was last seen two years ago hurling his detecting overcoat into the Thames and walking into the sunset with luminous psychopath Alice Morgan (Ruth Wilson). His return to the fray was prompted by the news that Alice had been found drowned in Antwerp, and the grisly demise of another colleague. It was the latter that finally prised Luther out of his jumper and back into his suit and overcoat, a moment that was underscored with epic – too epic for a man getting changed, probably – Hollywood music. Does the return of the coat suggest that Alice too will emerge from a watery grave in part two?

Alice aside, there was a psychopath on the loose in Hackney Wick. Luther has always been one of the creepier cop shows but this was very dark. The opening scenes had it all – half-derelict house, candles, creaky stairs and an angry pigeon, all spiking the pulse before the bloodshed. The dialogue was curt – "What did he do with the heart?" "He ate it." – and the rapidly piling-up crime scenes gory. I found it rather hard to watch, at least until Elba's marvellous, monosyllabic maverick was back in control. As the episode ended, the cannibal hacker with a knowledge of explosives was still on the run and Alice – well who knows, but I doubt Luther will be returning to his cottage for a while.

Join our commenting forum

Join thought-provoking conversations, follow other Independent readers and see their replies

Comments

Thank you for registering

Please refresh the page or navigate to another page on the site to be automatically logged inPlease refresh your browser to be logged in