Your support helps us to tell the story
From reproductive rights to climate change to Big Tech, The Independent is on the ground when the story is developing. Whether it's investigating the financials of Elon Musk's pro-Trump PAC or producing our latest documentary, 'The A Word', which shines a light on the American women fighting for reproductive rights, we know how important it is to parse out the facts from the messaging.
At such a critical moment in US history, we need reporters on the ground. Your donation allows us to keep sending journalists to speak to both sides of the story.
The Independent is trusted by Americans across the entire political spectrum. And unlike many other quality news outlets, we choose not to lock Americans out of our reporting and analysis with paywalls. We believe quality journalism should be available to everyone, paid for by those who can afford it.
Your support makes all the difference.What is it? Headlong’s musical adaptation of Bret Easton Ellis’ novel. Duncan Sheik provides the music, Rupert Goold is directing, and it stars Matt Smith.
The Independent says: “capitalist extremism … satirised through a psychopathic serial-killing Wall Street banker seems an improbable subject for a tuner. But this witty, almost terminally knowing show tackles that difficulty with deadpan cheek … the show is short on visceral tension. Patrick’s sadistic spasms with axe and nail gun are stylised, choreographed turns … the gore is mostly virtual.”
They say: The Daily Mail: “there is a chance of satire puncturing its target. But this [show] longs to be thought cool, even while criticising cool … Style trumps humanity and dramatic truth.”
The Guardian: “the stand-out performer is the excellent Matt Smith … [he] has the capacity to suggest there is a strange emotional vacancy and spiritual hollowness within this solitary fantasist. Without enlisting our sympathy, he makes Bateman wholly believable.”
You say: @verbalictor: “It’s a hugely, refreshingly, enjoyable show and the cast are blimmin’ brilliant. Good night out. Hurrah.”
@MrJDMyatt: “Slick & disturbing as the 80s. Slides across its surfaces like Sondheim on K”
Details: to 1 Feb; almeida.co.uk
Join our commenting forum
Join thought-provoking conversations, follow other Independent readers and see their replies
Comments