Martyr, Unicorn Theatre, London, review: Distressing, provocative and horribly funny

How far should you go in tolerating systematic intolerance?

Paul Taylor
Friday 18 September 2015 12:40 BST
Comments

Your support helps us to tell the story

From reproductive rights to climate change to Big Tech, The Independent is on the ground when the story is developing. Whether it's investigating the financials of Elon Musk's pro-Trump PAC or producing our latest documentary, 'The A Word', which shines a light on the American women fighting for reproductive rights, we know how important it is to parse out the facts from the messaging.

At such a critical moment in US history, we need reporters on the ground. Your donation allows us to keep sending journalists to speak to both sides of the story.

The Independent is trusted by Americans across the entire political spectrum. And unlike many other quality news outlets, we choose not to lock Americans out of our reporting and analysis with paywalls. We believe quality journalism should be available to everyone, paid for by those who can afford it.

Your support makes all the difference.

Benjamin now flatly refuses to do swimming at school. Normal adolescent body issues? If only. The teenage protagonist of Marius von Mayenburg's provocative, horribly funny and distressing play has found God. The “shameless mingling of the sexes” in co-ed swimming lessons is part of the “depravity” on which Benjamin (alarmingly well-played by Daniel O'Keefe) has declared a holy war.

The piece trains a mordant eye on how his zealotry escalates and on how the school authorities botch their search for the right way of addressing one of the key problems for a secular, liberal society: how far should you go in tolerating systematic intolerance? Baited by Benjamin for her presumed Jewishness, science teacher Erica White (Natalie Radmall-Quirke) tries to beat the boy at his own game, setting off a process that inexorably heads into disaster.

Mayenburg first started thinking about the piece in the wake of 9/11. But it cleverly uses Benjamin's dogmatic, highly selective rantings from the Christian Bible as a way of demonstrating that all monotheistic religions of the Book are susceptible to dangerous distortion. Ramin Gray's pitch-perfect Actors Touring Company English premiere is a co-production with the Unicorn Theatre where a predominantly teenage audience on were audibly thrilled, scandalised, appalled and enlightened. Brave programming.

To 10 October; 020 7645 0560

Join our commenting forum

Join thought-provoking conversations, follow other Independent readers and see their replies

Comments

Thank you for registering

Please refresh the page or navigate to another page on the site to be automatically logged inPlease refresh your browser to be logged in