Dusk Rings a Bell, Assembly George Square

Alice Jones
Monday 15 August 2011 00:00 BST
0Comments

Your support helps us to tell the story

From reproductive rights to climate change to Big Tech, The Independent is on the ground when the story is developing. Whether it's investigating the financials of Elon Musk's pro-Trump PAC or producing our latest documentary, 'The A Word', which shines a light on the American women fighting for reproductive rights, we know how important it is to parse out the facts from the messaging.

At such a critical moment in US history, we need reporters on the ground. Your donation allows us to keep sending journalists to speak to both sides of the story.

The Independent is trusted by Americans across the entire political spectrum. And unlike many other quality news outlets, we choose not to lock Americans out of our reporting and analysis with paywalls. We believe quality journalism should be available to everyone, paid for by those who can afford it.

Your support makes all the difference.

Stephen Belber was one of the co-creators of The Laramie Project, the powerful verbatim play about the murder of Matthew Shepard, a gay student in Wyoming, in 1998.

His new play, Dusk Rings a Bell, which was given its premiere by New York's Atlantic theatre company and arrives in Edinburgh via the HighTide Festival Theatre, returns to the theme of hate crimes, this time, though, wrapped up in an almost love story.

Molly (Abi Titmuss) is a 39-year-old divorcee who has returned the beach house of her childhood to retrieve a note she left there, aged 15, for her future self. On her way out she bumps into Ray (Paul Blair), a lonesome caretaker, with whom, it turns out, she had a summer fling 24 years ago. As they talk and talk (and talk, it's an overwhelmingly wordy play), shyly starting to court once more, it emerges that Ray has an unexpectedly murky past.

While it's never explained why Molly should fall for this gruff former felon, Belber's play asks interesting questions about the possibility of rehabilitation and the tricksiness of human communication. Titmuss and Blair both deliver strong, committed performances and every so often amid the torrents of talk there are lines and moments of real poignancy.

To 29 August (0131 623 3030)

Join our commenting forum

Join thought-provoking conversations, follow other Independent readers and see their replies

0Comments

Thank you for registering

Please refresh the page or navigate to another page on the site to be automatically logged inPlease refresh your browser to be logged in