Stay up to date with notifications from The Independent

Notifications can be managed in browser preferences.

Martin Freeman fans are not 'ruining' Richard III, says director Jamie Lloyd

Theatre purists are complaining that a younger audience is ignoring etiquette

Jess Denham
Tuesday 08 July 2014 09:13 BST
Comments
Martin Freeman and Lauren O'Neil in Jamie Lloyd's Richard III
Martin Freeman and Lauren O'Neil in Jamie Lloyd's Richard III (Marc Brenner)

Support truly
independent journalism

Our mission is to deliver unbiased, fact-based reporting that holds power to account and exposes the truth.

Whether $5 or $50, every contribution counts.

Support us to deliver journalism without an agenda.

Louise Thomas

Louise Thomas

Editor

Martin Freeman fans have been accused of “ruining” the West End production of Richard III with their relentless clapping and cheering.

The 42-year-old actor, known for The Hobbit movies and hit TV drama Sherlock, is starring as the monarch in Jamie Lloyd’s Shakespearean adaptation.

Freeman’s appearance has attracted a younger audience who purists say are breaching “theatre etiquette” with “disruptive” applause after Richard III’s opening monologue.

For years, tradition has dictated that theatre-goers clap at the beginning of the interval and again at the final curtain.

“Martin Freeman’s face is on every bus in London,” said actress Maureen Lipman. “The producers are aiming for people who spend most of their day with wire in their ears. It is not so much Richard III as Richard the rock concert.”

Theatre blogger Claire Dikecoglu acknowledged Freeman’s popularity but added that her “pet peeve” was “everything getting standing ovations these days”.

Others have praised Freeman’s ability to encourage more young people to take an interest in the stage.

Lloyd defended audiences at London’s Trafalgar Studios, noting that the play’s standing ovations have been “instant” for the entire cast, not just Freeman, and that reports of cheering at inappropiate moments are "totally untrue".

"I think that we are seeing an authentic, enthusiastic reaction from a generational muddle in the audience," Lloyd added.

“Younger, first-time theatre-goers are more vocal and they are certainly screaming their appreciation at the end.”

Join our commenting forum

Join thought-provoking conversations, follow other Independent readers and see their replies

Comments

Thank you for registering

Please refresh the page or navigate to another page on the site to be automatically logged inPlease refresh your browser to be logged in