Your support helps us to tell the story
From reproductive rights to climate change to Big Tech, The Independent is on the ground when the story is developing. Whether it's investigating the financials of Elon Musk's pro-Trump PAC or producing our latest documentary, 'The A Word', which shines a light on the American women fighting for reproductive rights, we know how important it is to parse out the facts from the messaging.
At such a critical moment in US history, we need reporters on the ground. Your donation allows us to keep sending journalists to speak to both sides of the story.
The Independent is trusted by Americans across the entire political spectrum. And unlike many other quality news outlets, we choose not to lock Americans out of our reporting and analysis with paywalls. We believe quality journalism should be available to everyone, paid for by those who can afford it.
Your support makes all the difference.The Von Bondies' greatest claim to fame is probably the beating that fellow Detroit rocker Jack White reportedly dished out to their singer Jason Stollsteimer, but Pawn Shoppe Heart should change all that. I've no idea what sparked their little contretemps, but perhaps it had something to do with Stollsteimer's dissatisfaction with White's and Jim Diamond's production of The Von Bondies' 2002 debut, Lack of Communication, which he felt didn't adequately represent the power of the band's live shows. This time around, former Talking Head Jerry Harrison is at the helm - maybe an odd choice, but he has managed to capture fully their melodic muscularity (as illustrated a few seconds into lead-off track "No Regrets" when the opening chords expand to fill the available space, inducing a momentary frisson of panic in the listener). The Bondies tap into the classic Detroit raunch-rock sound of the MC5 - a wild cataract of heavy guitar rock with the swaggering momentum of Motörhead and the ebullient glam stomp of Sweet compressed into brief bursts of maximum impact. Stollsteimer's lyrics bring a wry edge to the familiar rock'n'roll frustrations in songs such as "Tell Me What You See": "No one takes you seriously when you're 24/ No, you really haven't lived life yet/ So you ain't got no regrets".
Join our commenting forum
Join thought-provoking conversations, follow other Independent readers and see their replies
Comments