Mercy Madonna of Malawi, The World @ St George's West, Edinburgh

Alice Jones
Tuesday 11 August 2009 00:00 BST
Comments

Your support helps us to tell the story

From reproductive rights to climate change to Big Tech, The Independent is on the ground when the story is developing. Whether it's investigating the financials of Elon Musk's pro-Trump PAC or producing our latest documentary, 'The A Word', which shines a light on the American women fighting for reproductive rights, we know how important it is to parse out the facts from the messaging.

At such a critical moment in US history, we need reporters on the ground. Your donation allows us to keep sending journalists to speak to both sides of the story.

The Independent is trusted by Americans across the entire political spectrum. And unlike many other quality news outlets, we choose not to lock Americans out of our reporting and analysis with paywalls. We believe quality journalism should be available to everyone, paid for by those who can afford it.

Your support makes all the difference.

People are dying in a Malawian world/ And I am a Malawian girl". It's not quite the joyful paean to excess and consumerism that Madonna had in mind. But then the Material Girl also probably never imagined that one day she'd be played on stage by a 6ft tall Malawian man wearing a blonde wig, giant star-shaped sunglasses and a silky pink nightie.

Arriving at the Fringe after a tour of Malawi, Mercy Madonna of Malawi is an exuberant musical about the Queen of Pop's controversial adoption of four-year-old Mercy James earlier this year. Written by Toby Gough and performed by a Malawian troupe, the show takes a witty yet affecting look at the story, from Mercy's birth through the legal dramas and up to an imagined future in the West for the young girl.

We hear from Madge herself, Mercy's once-absent father (who announces his arrival back on the scene with a bold "I'm the Daddy" singalong chorus), journalists, campaigners and, in a particularly boisterous court-room, the judge. Though it avoids reaching any firm conclusions as to the ethics of a wealthy Western woman coming to a poor African country in search of a baby, the production doesn't pull its punches, with one striking scene having Madonna pitch up to the orphanage, shopping trolley in tow, to be greeted by a host of nappy-clad babies all wearing "Adopt Me" T-shirts.

John Kielty's easy score mixes Madonna's strongest hits with Malawian rhythms and the traditional lyricism of musical theatre, which the multi-talented cast performs with verve and charm. There's some thrilling dancing, too. An enjoyable and eye-opening hour.

To 31 August (07761 716 929)

Join our commenting forum

Join thought-provoking conversations, follow other Independent readers and see their replies

Comments

Thank you for registering

Please refresh the page or navigate to another page on the site to be automatically logged inPlease refresh your browser to be logged in