Gig review: Gravenhurst, Bishopsgate Institute, London

 

Holly Williams
Tuesday 01 October 2013 19:26 BST
Comments

Gravenhurst is the musical project of Nick Talbot - a Bristol-based singer-songwriter who coaxes gorgeous tones out of his guitars, but whose gentle tunes wrap up an often dark and melancholy lyrical heart. He's got the satisfying well-balanced melodies, the ever-so-pretty fingerpicking and the lush harmonising to rival many a modern folk act - Gravenhurst call to mind Kings of Convenience or early Iron and Wine, and have been compared to Simon and Garfunkel even - yet mysteriously Talbot's star has never risen so high.

This is a low-key, intimate gig, a hall half-filled with fans who make for the quietest, meekest mouse-like audience; Talbot has to raise a can of Guinness with a "cheers" twice to get us to respond in kind. But we are met with a similar air of shy shuffle; as performances go, it's hardly slick or gripping. Talbot spends a lot - and I really mean a lot - of time tuning his guitars, without much in the way of witty badinage to pass the time; he self-consciously acknowledge this lack, quipping "you'd think after 15 years you'd have that anecdote pretty well oiled by now, but I don't." Fine - but we'd kinda rather you did.

He's joined on stage, and in vocals, by bassist/keyboardist Rachel Lancaster and drummer Claire Adams, who seem even shyer than Talbot, hiding under thick indie-girl fringes. Even the between-band banter - the girls rightly teasing him about that endless tuning - is so quiet we can barely hear it.

Fortunately the songs makes the show. And it feels like just the right time to be watching a Gravenhurst gig; it's music for when the nights draw in, introspective in lyric yet warmly atmospheric in timbre. His electric guitar playing has a soft chime to it, blurred round the edges somehow, and Talbot's voice has a colour-run diffuseness too. In his lyrics, the snow always seems to fall and sleep never seems to come; there's a vein of paranoia and self-loathing that could read indulgent, but is often subtly moving. On "I Turn My Face to the Forest", he keens: "You're only a stone's throw from/all the violence you buried years ago." But the demon-filled depths Talbot plumbs yield beautiful results for the rest of us.

Join our commenting forum

Join thought-provoking conversations, follow other Independent readers and see their replies

Comments

Thank you for registering

Please refresh the page or navigate to another page on the site to be automatically logged inPlease refresh your browser to be logged in