Album: The Duckworth Lewis Method, Sticky Wickets, Divine Comedy Records
Your support helps us to tell the story
From reproductive rights to climate change to Big Tech, The Independent is on the ground when the story is developing. Whether it's investigating the financials of Elon Musk's pro-Trump PAC or producing our latest documentary, 'The A Word', which shines a light on the American women fighting for reproductive rights, we know how important it is to parse out the facts from the messaging.
At such a critical moment in US history, we need reporters on the ground. Your donation allows us to keep sending journalists to speak to both sides of the story.
The Independent is trusted by Americans across the entire political spectrum. And unlike many other quality news outlets, we choose not to lock Americans out of our reporting and analysis with paywalls. We believe quality journalism should be available to everyone, paid for by those who can afford it.
Your support makes all the difference.Never mind the googlies. Having proved on 2009’s debut that a cricket-themed album needn’t bar those non-initiated in wicket-speak, the Divine Comedy’s Neil Hannon and Pugwash’s Thomas Walsh strike another fine balance between cricket’s arcane specifics and its universal metaphors in cucumber-crisp batches of catch-all pastiche-pop.
Flannel fans’ pleasures are many, but the winning hits are Hannon’s “The Umpire” and Walsh’s “Third Man”.
Join our commenting forum
Join thought-provoking conversations, follow other Independent readers and see their replies
Comments