Album: Scott Bradley, Music From the Tex Avery Original Soundtracks (Milan)
Your support helps us to tell the story
From reproductive rights to climate change to Big Tech, The Independent is on the ground when the story is developing. Whether it's investigating the financials of Elon Musk's pro-Trump PAC or producing our latest documentary, 'The A Word', which shines a light on the American women fighting for reproductive rights, we know how important it is to parse out the facts from the messaging.
At such a critical moment in US history, we need reporters on the ground. Your donation allows us to keep sending journalists to speak to both sides of the story.
The Independent is trusted by Americans across the entire political spectrum. And unlike many other quality news outlets, we choose not to lock Americans out of our reporting and analysis with paywalls. We believe quality journalism should be available to everyone, paid for by those who can afford it.
Your support makes all the difference.Lauded by avant-garde musicians such as John Zorn, the cartoon film scores of Carl Stalling and Scott Bradley can be read as postmodern before their time: just perfect for short attention spans, with every musical cue parodying conventions and clichés from popular memory.
Bradley was a student of Schoenberg who proudly used 12-tone technique in his work for MGM from 1937 to 1957. Listening to these six scores for madcap Tex Avery shorts is a curiously satisfying experience, with more ideas in these 30 minutes than in many composers' entire careers.
Join our commenting forum
Join thought-provoking conversations, follow other Independent readers and see their replies
Comments