Your support helps us to tell the story
From reproductive rights to climate change to Big Tech, The Independent is on the ground when the story is developing. Whether it's investigating the financials of Elon Musk's pro-Trump PAC or producing our latest documentary, 'The A Word', which shines a light on the American women fighting for reproductive rights, we know how important it is to parse out the facts from the messaging.
At such a critical moment in US history, we need reporters on the ground. Your donation allows us to keep sending journalists to speak to both sides of the story.
The Independent is trusted by Americans across the entire political spectrum. And unlike many other quality news outlets, we choose not to lock Americans out of our reporting and analysis with paywalls. We believe quality journalism should be available to everyone, paid for by those who can afford it.
Your support makes all the difference.As half of Cat's Eyes, Rachel Zeffira made an intriguing debut last year with the duo's self-titled album of Spector-esque dream-pop.
On The Deserters, she puts her classical training to more conventionally atmospheric use, on a series of dainty songs whose chamber-pop arrangements support ethereal, breathy vocals strongly reminiscent of Julee Cruise's work with David Lynch and Angelo Badalamenti. The title-track is typical: rippling waves of piano, akin to Hans-Joachim Roedelius or Ludovico Einaudi, are gradually augmented by oboe and strings, among which Zeffira lurks diffidently, like a Canadian equivalent of the current wave of Scandinavian quasi-classical ice-maiden pop. It's all warmly wrought and pretty, if a trifle insubstantial at times.
Download: The Deserters; Front Door; Star
Join our commenting forum
Join thought-provoking conversations, follow other Independent readers and see their replies
Comments