Your support helps us to tell the story
From reproductive rights to climate change to Big Tech, The Independent is on the ground when the story is developing. Whether it's investigating the financials of Elon Musk's pro-Trump PAC or producing our latest documentary, 'The A Word', which shines a light on the American women fighting for reproductive rights, we know how important it is to parse out the facts from the messaging.
At such a critical moment in US history, we need reporters on the ground. Your donation allows us to keep sending journalists to speak to both sides of the story.
The Independent is trusted by Americans across the entire political spectrum. And unlike many other quality news outlets, we choose not to lock Americans out of our reporting and analysis with paywalls. We believe quality journalism should be available to everyone, paid for by those who can afford it.
Your support makes all the difference.The latest of Paul McCreesh's projects with the Gabrieli Consort, Incarnation, offers his distinctive take on a Christmas album, with Renaissance hymnody eschewed in favour of a blend of Ancient and Modern, in which recent carols like Jonathan Dove's polyphonic setting of Dorothy L Sayers' "The Three Kings" are set alongside medieval texts, climaxing in Britten's multi-section suite A Boy Was Born. It's done in austere manner, with no fashionable drones or tintinnabulation blurring the edges: instead, unison vocals present "Veni, Veni Emanuel" as simply as possible, while a solo alto renders "Lullay, Lullay" as a lilting line that develops hypnotic power through church reverb.
Download: Adam lay ybounden; Lullay, Lullay; This endere Nyghth I saw a syghth; A Boy Was Born
Join our commenting forum
Join thought-provoking conversations, follow other Independent readers and see their replies
Comments