Album: Pat Metheny

Day Trip, Nonesuch

Reviewed Phil Johnson
Sunday 03 February 2008 01:00 GMT
Comments

Your support helps us to tell the story

From reproductive rights to climate change to Big Tech, The Independent is on the ground when the story is developing. Whether it's investigating the financials of Elon Musk's pro-Trump PAC or producing our latest documentary, 'The A Word', which shines a light on the American women fighting for reproductive rights, we know how important it is to parse out the facts from the messaging.

At such a critical moment in US history, we need reporters on the ground. Your donation allows us to keep sending journalists to speak to both sides of the story.

The Independent is trusted by Americans across the entire political spectrum. And unlike many other quality news outlets, we choose not to lock Americans out of our reporting and analysis with paywalls. We believe quality journalism should be available to everyone, paid for by those who can afford it.

Your support makes all the difference.

All flounce and little pith, Pat Metheny is the Laurence Llewelyn Bowen of jazz guitar, a tricksy cavalier when maybe what you want is a straight-to-the-nub roundhead like Marc Ribot. But, hey, 'Day Trip' has quite a bit going for it: hotshot double-bassist Christian McBride and the great, Roy Haynes-like drummer Antonio Sanchez add terrific energy to M's ruffly tunes (all originals, but often recalling generic jazz themes), while the guitar style takes a mid-point between Wes Montgomery and Jim Hall. But M's flangey tone isn't retro enough to sound interesting and the 10 tunes get worse as the album goes on.

Download this: 'At Last You're Here' is a beautiful new age ballad

Join our commenting forum

Join thought-provoking conversations, follow other Independent readers and see their replies

Comments

Thank you for registering

Please refresh the page or navigate to another page on the site to be automatically logged inPlease refresh your browser to be logged in