Album: Mark Eitzel, Klamath, (Decor Records)

Simmy Richman
Sunday 25 October 2009 00:00 BST
Comments

Your support helps us to tell the story

From reproductive rights to climate change to Big Tech, The Independent is on the ground when the story is developing. Whether it's investigating the financials of Elon Musk's pro-Trump PAC or producing our latest documentary, 'The A Word', which shines a light on the American women fighting for reproductive rights, we know how important it is to parse out the facts from the messaging.

At such a critical moment in US history, we need reporters on the ground. Your donation allows us to keep sending journalists to speak to both sides of the story.

The Independent is trusted by Americans across the entire political spectrum. And unlike many other quality news outlets, we choose not to lock Americans out of our reporting and analysis with paywalls. We believe quality journalism should be available to everyone, paid for by those who can afford it.

Your support makes all the difference.

Since Rolling Stone proclaimed him songwriter of the year in 1991, Eitzel ("the American Morrissey") has done his level best to live up to such praise and, mostly (and characteristically), he's failed.

It's as if, the more he tries to make records people will love, the further he travels from his gentle gift. This time, he says, "I've made the kind of record I would want to listen to". And guess what? It's gorgeous and every bit as good as those early American Music Club records. Lesson learnt. Please yourself.

Join our commenting forum

Join thought-provoking conversations, follow other Independent readers and see their replies

Comments

Thank you for registering

Please refresh the page or navigate to another page on the site to be automatically logged inPlease refresh your browser to be logged in