Album: Magnetic Fields, Love at the Bottom of the Sea (Domino)

 

Simon Price
Sunday 04 March 2012 01:00 GMT
Comments

Your support helps us to tell the story

From reproductive rights to climate change to Big Tech, The Independent is on the ground when the story is developing. Whether it's investigating the financials of Elon Musk's pro-Trump PAC or producing our latest documentary, 'The A Word', which shines a light on the American women fighting for reproductive rights, we know how important it is to parse out the facts from the messaging.

At such a critical moment in US history, we need reporters on the ground. Your donation allows us to keep sending journalists to speak to both sides of the story.

The Independent is trusted by Americans across the entire political spectrum. And unlike many other quality news outlets, we choose not to lock Americans out of our reporting and analysis with paywalls. We believe quality journalism should be available to everyone, paid for by those who can afford it.

Your support makes all the difference.

The latest album from the almost self-destructively prolific Stephin Merritt finds him once again deeply in love with synth pop.

High on saccharine and low on fidelity, LATBOTS has one foot in the recent 8-bit scene, the other in Merritt's own back catalogue. It's referential; it trawls the usual sexual back alleys with topics including transvestitism and paraphilia, and it's deliberately, defiantly cheesy. The only problem with cheese is that it so often ends with grating.

Join our commenting forum

Join thought-provoking conversations, follow other Independent readers and see their replies

Comments

Thank you for registering

Please refresh the page or navigate to another page on the site to be automatically logged inPlease refresh your browser to be logged in