Album: Lucinda Williams, Blessed (Lost Highway)
Americana's most ripped and bleeding soul gets down with a Don Was co-production, which means presence and rough warmth in the ear.
The songs are mostly shaped in her traditional chord-to-chord method, their melodies looping behind the tempo of the guitars and, for once, in a spirit of uplift. Sort of. The production's fatness certainly suits her self-dramatising tone. Guitars? A lot of Stonesy ones by Greg Leisz and Val McCallum, a few by Elvis Costello.
Subscribe to Independent Premium to bookmark this article
Want to bookmark your favourite articles and stories to read or reference later? Start your Independent Premium subscription today.
Join our commenting forum
Join thought-provoking conversations, follow other Independent readers and see their replies