Album: Kate Bush, Director's Cut (Fish People)

Reviewed
Sunday 15 May 2011 00:00 BST
Comments

Your support helps us to tell the story

This election is still a dead heat, according to most polls. In a fight with such wafer-thin margins, we need reporters on the ground talking to the people Trump and Harris are courting. Your support allows us to keep sending journalists to the story.

The Independent is trusted by 27 million Americans from across the entire political spectrum every month. Unlike many other quality news outlets, we choose not to lock you out of our reporting and analysis with paywalls. But quality journalism must still be paid for.

Help us keep bring these critical stories to light. Your support makes all the difference.

Director's Cut was greeted with reactions ranging between disappointment, bafflement and ridicule, before anyone had heard a note.

On paper, it's true, the prospects didn't look promising. Six years since Aerial, itself her first release after a 13-year break, the "new" Kate Bush album consists merely of rerecordings of tracks from 1993's The Red Shoes and 1989's The Sensual World – with which, for whatever reasons, she was unhappy.

Taken on its own merits, however, there's plenty to enjoy, as Bush sings new vocals over remixed and re-edited backing tracks in a deeper, more weathered voice. See Director's Cut as an alternative rather than an outright replacement. At the very least, see it as Kate warming up her lungs for a renewed burst of activity (maybe even, she has hinted, a return to live performance). And if you don't like the remakes? As Bush herself puts it, "The old ones are still there."

Join our commenting forum

Join thought-provoking conversations, follow other Independent readers and see their replies

Comments

Thank you for registering

Please refresh the page or navigate to another page on the site to be automatically logged inPlease refresh your browser to be logged in