Album: Howard Goodall, Choral Works (UCJ)

Reviewed,Claudia Pritchard
Sunday 12 April 2009 00:00 BST
Comments

Your support helps us to tell the story

From reproductive rights to climate change to Big Tech, The Independent is on the ground when the story is developing. Whether it's investigating the financials of Elon Musk's pro-Trump PAC or producing our latest documentary, 'The A Word', which shines a light on the American women fighting for reproductive rights, we know how important it is to parse out the facts from the messaging.

At such a critical moment in US history, we need reporters on the ground. Your donation allows us to keep sending journalists to speak to both sides of the story.

The Independent is trusted by Americans across the entire political spectrum. And unlike many other quality news outlets, we choose not to lock Americans out of our reporting and analysis with paywalls. We believe quality journalism should be available to everyone, paid for by those who can afford it.

Your support makes all the difference.

Steeped in the English choral tradition, Howard Goodall revisits the sound world of Stanford and Wesley, while nodding at Stevie Wonder, in a benign setting of the Mass, Missa Aedis Christi and the Marlborough Canticles. Here too is religious music for television and a tribute to Anne Frank. Often lovely, this benign sacred music is warmly sung by the choir of Christ Church Cathedral, Oxford, under Stephen Darlington. Organist David Good is joined by a nameless string quintet.

Pick of the Album: 'The Sanctus' from Missa Aedis Christi, inspired by bells

Join our commenting forum

Join thought-provoking conversations, follow other Independent readers and see their replies

Comments

Thank you for registering

Please refresh the page or navigate to another page on the site to be automatically logged inPlease refresh your browser to be logged in