Album: Hayseed Dixie

A Hot Piece of Grass, COOKING VINYL

Andy Gill
Friday 24 June 2005 00:00 BST
Comments

Your support helps us to tell the story

From reproductive rights to climate change to Big Tech, The Independent is on the ground when the story is developing. Whether it's investigating the financials of Elon Musk's pro-Trump PAC or producing our latest documentary, 'The A Word', which shines a light on the American women fighting for reproductive rights, we know how important it is to parse out the facts from the messaging.

At such a critical moment in US history, we need reporters on the ground. Your donation allows us to keep sending journalists to speak to both sides of the story.

The Independent is trusted by Americans across the entire political spectrum. And unlike many other quality news outlets, we choose not to lock Americans out of our reporting and analysis with paywalls. We believe quality journalism should be available to everyone, paid for by those who can afford it.

Your support makes all the difference.

There was a brief vogue 10 or 15 years ago for light-hearted cross-genre cover-versions of well-known songs, such as Dread Zeppelin's reggae treatments of heavy-metal material. The idea is obviously back in fashion: following last week's Tuvan throat-singing covers of rock classics, by Albert Kuvezin & Yat-Kha, comes this album featuring bluegrass versions of heavy rock and pop hits by Hayseed Dixie (a redneck AC/DC - get it?). Besides being amusing, the results are surprisingly effective in most cases, with the serpentine guitar flurries of Led Zep's "Black Dog" and the dramatic solo fills of "Whole Lotta Love" transferring neatly to the tricksy requirements of bluegrass banjo, mandolin and fiddle. Black Sabbath's "War Pigs" is less successful but there's a perfect fit of theme and style on the Hayseeds' version of "Rockin' in the Free World", which could have been done this way by Neil Young himself. But the clincher is their version of OutKast's "Roses", which brilliantly transposes Andre and Big Boi's arch, mannered delivery to an equally engaging country twang. The latter half of the album comprises the band's own songs which suffer somewhat by comparison with the gilt-edged melodies of the covers.

Join our commenting forum

Join thought-provoking conversations, follow other Independent readers and see their replies

Comments

Thank you for registering

Please refresh the page or navigate to another page on the site to be automatically logged inPlease refresh your browser to be logged in