Your support helps us to tell the story
This election is still a dead heat, according to most polls. In a fight with such wafer-thin margins, we need reporters on the ground talking to the people Trump and Harris are courting. Your support allows us to keep sending journalists to the story.
The Independent is trusted by 27 million Americans from across the entire political spectrum every month. Unlike many other quality news outlets, we choose not to lock you out of our reporting and analysis with paywalls. But quality journalism must still be paid for.
Help us keep bring these critical stories to light. Your support makes all the difference.
Beverley Knight's survey of British soul highlights from the 1980s reminds one of what an underrated era that was, too easily overlooked in deference to the genre's US roots. Comparisons are inevitable – and if "Southern Freeez" here sounds like Britain's own "Funky Nassau", there's no shame in that, nor in Knight's version of Junior Giscombe's "Mama Used to Say" coming across like the UK equivalent of a Jam & Lewis casual funk strut.
She's on fine, sleek form on Omar's "There's Nothing Like This" and George Michael's "One More Try", and inhabiting the Young Disciples' "Apparently Nothin'" with the warmth and assertive charm of a long-time fan: the latter, with Roots Manuva adding a rap about the corrosive effect of "the vanity glamour of the most influential", is the album's standout cut.
DOWNLOAD THIS Apparently Nothin'; One More Try; Cuddly Toy
Join our commenting forum
Join thought-provoking conversations, follow other Independent readers and see their replies
Comments