Muse top UK album chart with Drones to score fifth number one
The record sold 73,000 copies in its first week of release

Your support helps us to tell the story
From reproductive rights to climate change to Big Tech, The Independent is on the ground when the story is developing. Whether it's investigating the financials of Elon Musk's pro-Trump PAC or producing our latest documentary, 'The A Word', which shines a light on the American women fighting for reproductive rights, we know how important it is to parse out the facts from the messaging.
At such a critical moment in US history, we need reporters on the ground. Your donation allows us to keep sending journalists to speak to both sides of the story.
The Independent is trusted by Americans across the entire political spectrum. And unlike many other quality news outlets, we choose not to lock Americans out of our reporting and analysis with paywalls. We believe quality journalism should be available to everyone, paid for by those who can afford it.
Your support makes all the difference.Muse have topped the UK official albums chart for a fifth time with their latest record Drones.
The album has received mixed reviews but sold almost 73,000 copies this week to over take Florence + The Machine’s latest release How Big, How Blue, How Beautiful.
The cover art for Drones was initially dismissed by fans as “a concept dreamed up by a fedora-wearing conspiracy theorist” but appears to have won over sceptics.
The Independent gave the album a four star review, calling it “unrepentantly ambitious and laced with emotional intrigue”.
“The concept-album plot doesn’t help…but Muse maintain control of their excesses…The narrative takes precedence on some mid-album clunkers, but the climax is full-bore grand,” critic Kevin Harley wrote.
Muse have previously topped the UK album chart with Absolution (2003), Black Holes & Revelations (2006), The Resistance (2009) and The 2nd Law (2012).
Elsewhere in the charts, Collabro’s Act Two is in third place, Ed Sheeran’s x climbs six places to re-enter the top five at number four, followed by Sam Smith’s In The Lonely Hour in fifth position.
Join our commenting forum
Join thought-provoking conversations, follow other Independent readers and see their replies
0Comments