Mexrrissey, music review: Mexican band 'jolts Morrissey’s songs into a vibrant new light'
Electric Ballroom, London
Your support helps us to tell the story
From reproductive rights to climate change to Big Tech, The Independent is on the ground when the story is developing. Whether it's investigating the financials of Elon Musk's pro-Trump PAC or producing our latest documentary, 'The A Word', which shines a light on the American women fighting for reproductive rights, we know how important it is to parse out the facts from the messaging.
At such a critical moment in US history, we need reporters on the ground. Your donation allows us to keep sending journalists to speak to both sides of the story.
The Independent is trusted by Americans across the entire political spectrum. And unlike many other quality news outlets, we choose not to lock Americans out of our reporting and analysis with paywalls. We believe quality journalism should be available to everyone, paid for by those who can afford it.
Your support makes all the difference.Mexico’s infatuation with Morrissey is an extraordinary cultural phenomenon. Across Mexico City and the vast Latin groups across California, bequiffed fans flock to see tribute acts, club nights, conventions and karaoke (Morrissey-oke), dedicated to the former Smiths singer.
Taking tonight's crowd on a melodramatic trip of a distinctly Mexican flavour, the band deliver ranchera, mariachi, bolero, cumbia, and danzón from their new album No Manchester capturing the essence of classic Morrissey and The Smiths songs.
The seven members of Mexrrissey-led by Camilo Lara deliver bold Latin arrangements from the get go. "The Boy With the Thorn in His Side" is infused with a cumbia feel and intense emotional sentiments are calls to arms delivered without Morrissey's ease and detachment. "Panic" gets a dose of oompa norteño sounds, while "International Playboy" - rebranded "International Playgirl" and sung by Ceci Bastida - has a Herb Alpert feel to it.
The musicians play with a joyous enthusiasm and vibrant mariachi rhythms replace Johnny Marr’s guitar to amplify The Smiths’ mordant humour on "El Primero del Gang" (First of The Gang To Die) while Sergio Mendoza inserts witty “cha-cha-chas” into "Girlfriend in a Coma”.
"Every Day is Like Sunday” and “Ask” are cleverly reworked too and this surprising cultural connection to Morrissey’s poetry brings with it a fresh style. The bold combination of acoustic and electronic instruments jolts Morrissey’s songs into a vibrant new light.
Join our commenting forum
Join thought-provoking conversations, follow other Independent readers and see their replies
Comments