God Help The Girl, film review: Playfulness rekindles memories of French New Wave films

(15) Stuart Murdoch, 112 mins Starring: Emily Browning, Hannah Murray, Olly Alexander, Pierre Boulanger

Geoffrey Macnab
Friday 22 August 2014 00:27 BST
Comments
Emily Browning and Olly Alexander in 'God Help the Girl'
Emily Browning and Olly Alexander in 'God Help the Girl'

Your support helps us to tell the story

From reproductive rights to climate change to Big Tech, The Independent is on the ground when the story is developing. Whether it's investigating the financials of Elon Musk's pro-Trump PAC or producing our latest documentary, 'The A Word', which shines a light on the American women fighting for reproductive rights, we know how important it is to parse out the facts from the messaging.

At such a critical moment in US history, we need reporters on the ground. Your donation allows us to keep sending journalists to speak to both sides of the story.

The Independent is trusted by Americans across the entire political spectrum. And unlike many other quality news outlets, we choose not to lock Americans out of our reporting and analysis with paywalls. We believe quality journalism should be available to everyone, paid for by those who can afford it.

Your support makes all the difference.

The occasional awkwardness of God Help the Girl is part of its considerable charm. The writer-director Stuart Murdoch (from the band Belle and Sebastian) captures the strange mix of vulnerability and arrogance that its young musician protagonists share. They want, as the bespectacled James (Olly Alexander) puts it, to "place a small flag in the timeline of pop history". They may be pretentious but they are never cynical.

Eve (Emily Browning) is his muse, a beautiful, gamine-like singer who first meets him after going awol from the psychiatric hospital where she is being treated.

Music has a transformative effect on their lives. Despite Eve's fragile mental state and James' dead-end job as a lifeguard, the film has a playfulness and humour that rekindle memories of French New Wave films.

Even the dour Glasgow backdrops take on a magical air. It helps that Browning looks like a youthful Anna Karina and shares her charisma.

Join our commenting forum

Join thought-provoking conversations, follow other Independent readers and see their replies

Comments

Thank you for registering

Please refresh the page or navigate to another page on the site to be automatically logged inPlease refresh your browser to be logged in