Cinderella, film review: Lily James is magnificent in this eye-popping spectacle

(U) Kenneth Branagh, 105 mins, starring: Cate Blanchett, Lily James, Richard Madden, Steelan Skarsgård, Holliday Grainger

Geoffrey Macnab
Thursday 26 March 2015 10:20 GMT
Comments
Lily James as Cinderella (left) with Cate Blanchett as the
wicked stepmother in the new live-action Disney film
Lily James as Cinderella (left) with Cate Blanchett as the wicked stepmother in the new live-action Disney film (Disney)

Your support helps us to tell the story

From reproductive rights to climate change to Big Tech, The Independent is on the ground when the story is developing. Whether it's investigating the financials of Elon Musk's pro-Trump PAC or producing our latest documentary, 'The A Word', which shines a light on the American women fighting for reproductive rights, we know how important it is to parse out the facts from the messaging.

At such a critical moment in US history, we need reporters on the ground. Your donation allows us to keep sending journalists to speak to both sides of the story.

The Independent is trusted by Americans across the entire political spectrum. And unlike many other quality news outlets, we choose not to lock Americans out of our reporting and analysis with paywalls. We believe quality journalism should be available to everyone, paid for by those who can afford it.

Your support makes all the difference.

Kenneth Branagh’s Cinderella is, in parts, magnificent.

Its brilliant use of colour, its lavishly detailed production and costume design, the swirling score from Patrick Doyle and the sheer verve of the storytelling can’t help but impress…even if it is only a few weeks since the same story was told on screen in Stephen Sondheim adaptation, Into The Woods. Interiors seem to be modelled on Watteau paintings and Haris Zambarloukos’ cinematography gives the film the same eye-popping, iridescent quality as that found in some of Jack Cardiff’s greatest movies.

Chris Weitz’s screenplay updates the old Charles Perrault yarn in a fresh and witty way. The performances are very lively too. Lily James is cheery and resilient as the long-suffering Ella while Cate Blanchett, wearing a series of spectacular hats and gowns, makes a wonderfully glamorous, Marlene Dietrich-like Wicked Stepmother. The absolute acme of the film is the inspired scene in which Helena Bonham Carter’s scatty fairy godmother (or “Hairy Dogfather” as she styles herself) turns a pumpkin into a carriage and various lizards and assorted rodents into Ella’s courtiers.

Sadly, from the point, the magic begins to dissipate as does Branagh’s inventiveness. The sentimentality grows ever more cloying and we begin to realise that we’ve seen umpteen other film and patomime versions of the same story. It’s a pity that a film that begins with such brio and originality ends on such a routine note.

Join our commenting forum

Join thought-provoking conversations, follow other Independent readers and see their replies

Comments

Thank you for registering

Please refresh the page or navigate to another page on the site to be automatically logged inPlease refresh your browser to be logged in