Stay up to date with notifications from The Independent

Notifications can be managed in browser preferences.

La La Land’s Damien Chazelle directing camera whip-pans shows his mastery

His signalling system with the camera department is simple but effective

Christopher Hooton
Tuesday 24 January 2017 10:05 GMT
Comments
(Ari Robbins)

Your support helps us to tell the story

From reproductive rights to climate change to Big Tech, The Independent is on the ground when the story is developing. Whether it's investigating the financials of Elon Musk's pro-Trump PAC or producing our latest documentary, 'The A Word', which shines a light on the American women fighting for reproductive rights, we know how important it is to parse out the facts from the messaging.

At such a critical moment in US history, we need reporters on the ground. Your donation allows us to keep sending journalists to speak to both sides of the story.

The Independent is trusted by Americans across the entire political spectrum. And unlike many other quality news outlets, we choose not to lock Americans out of our reporting and analysis with paywalls. We believe quality journalism should be available to everyone, paid for by those who can afford it.

Your support makes all the difference.

Like or love La La Land (that seems to be the two options) it’s impossible to deny its craft, with Damien Chazelle having so skilfully steered the ship on a challenging production that he will surely pick up a Best Director award at the Oscars next month.

His passion for music and specifically jazz was clear in Whiplash, of course, and in La La Land he harnessed it in new ways, putting together huge dance sequences on highways and shooting musical numbers in the style of classic Hollywood.

Here we see him very much in the zone signalling to the camera operator when to turn during the jazz club scene:

Panning the camera from the band to Ryan Gosling on piano, Chazelle displays the instinct of a conductor.

It’s not the only behind-the-scenes clip making me realise just how much of an achievement La La Land is - Ari Robbins, ‘A’ Camera Operator on the movie, has been posting others of him in action on set on Instagram.

He can be seen controlling a rig during the aforementioned traffic jam highway scene, manning a vast one on a night shoot and capturing Gosling’s performance in a covers band.

“Nothing on La La Land was easy,” he wrote. “Everything was a bit more then average and that's what made it so much fun.”

Join our commenting forum

Join thought-provoking conversations, follow other Independent readers and see their replies

Comments

Thank you for registering

Please refresh the page or navigate to another page on the site to be automatically logged inPlease refresh your browser to be logged in