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This year’s nominees at the Golden Globes are assembling in Hollywood for the 2020 ceremony.
Films in competition include Netflix releases Marriage Story and The Irishman .
The former leads this year’s pack with six nominations, while The Irishman received a grand total of five, including Best Supporting Actor for both Al Pacino and Joe Pesci. Their co-star Robert De Niro , though, was unexpectedly snubbed.
Netflix also scored big in the television categories thanks to nominations for The Crown , The Kominsky Method , Dead to Me and limited series Unbelievable , whose lead stars Toni Collette and Merrit Wever both earned nominations.
HBO – whose final season of Game of Thrones was snubbed in the Best Television Drama category – is betting big with Succession , which has also received nominations for actors Brian Cox and Kieran Culkin.
It was yet another big year for the Brits, with nominations for Phoebe Waller-Bridge, Andrew Scott (Fleabag ) and The Crown stars Olivia Colman, Tobias Menzies and Helena Bonham Carter.
The 40 best films of the decadeShow all 40 1 /40The 40 best films of the decade The 40 best films of the decade 40. Once Upon a Time in Hollywood A helter-skelter ride of a movie, satirical, very witty and showing its director’s immense affection for the B-movie actors, stunt men and hangers on who make up its cast. It’s also a tribute to Sharon Tate (Margot Robbie). Who would have believed that a film set just as the Sixties in LA turned sour could be so uplifting? Geoffrey Macnab
Sony/Columbia/Rex
The 40 best films of the decade 39. The Master The world isn’t scared enough of Scientology, but perhaps it would be if enough people had seen The Master. Paul Thomas Anderson depicts (a fictionalised version of) the cult as a trap for bruised masculinity. Philip Seymour Hoffman and Joaquin Phoenix contort themselves into primitive creatures of greed and desire. It’s an ugly film, in the very best sense of the word. Clarisse Loughrey
Snap Stills/Rex
The 40 best films of the decade 38. The Irishman Scorsese summons all his sad captains for one last reunion in his magisterial gangster epic. De Niro, Pesci, Keitel and (newcomer) Pacino are all cast in a film as much about friendship, memory and betrayal as it is about corruption in the Teamster union or Mafia violence. GM
Netflix via AP
The 40 best films of the decade 37. Inside Out This is Pixar’s boldest and strangest animated feature. It takes us deep inside the mind of its heroine, 11-year-old Riley, where her unconscious is shown as akin to a magical theme park; emotions like Joy and Sadness feature as characters. Director Pete Docter deals with complex subject matter in a lithe and inventive way, and without too many Freudian hang ups. GM
Moviestore/Rex
The 40 best films of the decade 36. Shoplifters Hirokazu Kore-eda is like the Charles Dickens of contemporary Japanese cinema. He tells melodramatic family stories which would seem mawkish if they weren’t so brilliantly observed. Winner of the Palme D’Or in Cannes, this is one of his very best movies – a heart-tugging story about impoverished members of a makeshift family doing everything they can to survive. GM
Thunderbird Releasing
The 40 best films of the decade 35. Dogtooth Dogtooth is a grim tale of isolation, incest, cat murder and DIY dentistry. But Yorgos Lanthimos has a hidden superpower up his sleeve: the more off-putting his films, the more you get drawn in. His work breeds curiosity. We want to solve the mystery of these strange worlds and their cold, inscrutable characters. The fact that there are no answers keeps us coming back for more. GM
Feelgood Entertainment
The 40 best films of the decade 34. Edge of Seventeen Kelly Fremon Craig’s gorgeous if cruelly unrecognised The Edge of Seventeen is deliberately small in plot, with Hailee Steinfeld playing a grumpy teen horrified to discover her best friend is dating her older brother. But it is told with heartwarming urgency, reflective of the heightened, dizzying drama of merely being a teenager.
Moviestore/Rex
The 40 best films of the decade 33. A Quiet Passion Reclusive New England poet Emily Dickinson, who published only a handful of poems during her lifetime, is brought to life in vivid fashion by actress Cynthia Nixon in Terence Davies’s biopic. She may look like a spinster aunt but Nixon shows us her passion, mischief and her eccentric brilliance.
Music Box Films
The 40 best films of the decade 32. Frances Ha Noah Baumbach’s Frances Ha is the definitive film about the quarter-life crisis, largely because it embraces the messiness of it all. We get the ups and the downs. We get the poorly-planned trip to Paris made by a young woman desperate to experience something profound. It’s a film without many dramatic conflicts, but marked by a gentle push towards accepting the inevitability of change.
IFC Films
The 40 best films of the decade 31. The Revenant Famous for its scene of Leonardo Di Caprio being mauled by a bear, Alejandro González Iñárritu’s western is part survival drama, part revenge movie. It’s a wilderness tale on the very grandest scale. From the opening massacre to the snowbound denouement, it if full of moments that startle you with their violence and their beauty. GM
20th Century Fox
The 40 best films of the decade 30. Boyhood Shot over 12 years, Richard Linklater’s Boyhood is the ultimate coming-of-age movie. It follows main character Mason (Ellar Coltrane) from when he is seven years old until he is a young adult. It’s a testament to the patience and ingenuity of Linklater and to the exceptional work of his cast (including Patricia Arquette and Ethan Hawke) that the film never feels phoney. GM
Sundance Institute
The 40 best films of the decade 29. Hereditary The horrors of Ari Aster’s occult contraption are matched only by the sheer volume of ideas crammed into it. A devastating kaleidoscope of stark images, mischievous easter eggs and pure, guttural horror, Hereditary asks a staggering amount of star Toni Collette, who wails and groans and weeps, as if conveying a full-body demolition in painful slow-motion. It is a performance for the ages in one of the best films in recent memory.
A24
The 40 best films of the decade 28. Melancholia Kirsten Dunst is remarkable as a bride in the grips of mental illness shortly before the world ends. She conveys like few before her the surging apathy and bottomless self-loathing of depression, where everything, be it food or otherwise, tastes like ashes. The film that surrounds her is equally awe-inducing, distilling with grim elegance all of Lars von Trier’s polarising genius. AW
Canal+
The 40 best films of the decade 27. Selma Selma is a masterclass in the historical biopic. Presenting a crucial moment in Martin Luther King Jr’s life without dramatic embellishment or emotional manipulation, it lets his legacy speak for itself, as Ava DuVernay wields her camera like a weapon of truth. Unabashedly political in its approach, Selma speaks plainly to the fact that society cannot pave its future without first understanding its past. CL
Paramount/Rex
The 40 best films of the decade 26. Boy Taika Waititi’s films always end with the feeling that things will work themselves out. It’s not blind optimism, but something far more comforting – he believes deeply in people’s ability to weather even the worst of storms. This is most apparent in Boy, still his best film to date, which catalogues a young Maori boy’s dawning realisation that his absent father isn’t the hero he imagines him to be. CL
Transmission Films
The 40 best films of the decade 25. Dunkirk British stoicism and grace under-fire are foregrounded in Christopher Nolan’s epic film about the Dunkirk evacuations. Nolan has a Cecil B De Mille-like genius for orchestrating crowd scenes and working with huge ensemble casts. He combines spectacle with very intimate moments that show the quiet desperation of the soldiers stranded on a French beach with little chance of escape.
Warner Bros
The 40 best films of the decade 24. Her Her felt almost uncomfortably relevant upon its release in 2013, and even more so today. Not because it shows people falling in love with artificially intelligent operating systems voiced by Scarlett Johansson, which hasn’t exactly caught on (...yet), but for what it said about modern loneliness. It is a sparse, oddly human film, Joaquin Phoenix finding solace and romantic fulfilment in sparkly new technology, before everything falls apart. AW
Warner Bros
The 40 best films of the decade 23. Call Me by Your Name Luca Guadagnino’s wonderfully evocative coming-of-age drama, set over a long, lazy Italian summer sometime in the 1980s, is notable for its frank but delicately observed account of the love affair between the precocious adolescent Elio (Timothée Chalamet) and the American academic, Oliver (Armie Hammer), who becomes part of the household. GM
Warner Bros
The 40 best films of the decade 22. Anomalisa It may be animated but few live-action films have captured middle-aged male angst and disillusionment as well as Charlie Kaufman’s Anomalisa. David Thewlis’s exceptional voice work brings an extra, sardonic edge to its portrayal of the businessman on a work trip to Cincinnati. Kaufman captures the man’s vulnerability, boredom and creeping disappointment about the course his life has taken. GM
Paramount Pictures
The 40 best films of the decade 21. The Social Network Described upon release as a lightly fictionalised account of the birth of Facebook, and as “hurtful” by Mark Zuckerberg himself, The Social Network was always spectacular, but its lessons have only deepened with time. It now resembles a terrifying warning about privacy, power, misogyny and the dangers of the internet, brought to life by David Fincher’s irresistibly cool direction, a characteristically snappy script by Aaron Sorkin and the dreamy, pulsating score by the now-ubiquitous Trent Reznor and Atticus Ross. It remains the most important film of the decade. AW
Columbia
The 40 best films of the decade 20. Black Swan It’s important to occasionally remind yourself that Black Swan, a bonkers, uncompromising and horrifying ballet thriller, somehow grossed $329m at the box office. But even removed from its staggering financial success, Darren Aronofsky’s psychological creepshow is a creative triumph. Part Showgirls, part Polanski and all Perfect Blue, it flirts with camp, Cronenbergian body horror and shaky-cam intimacy, with the deservedly Oscar-winning Natalie Portman as the twirling, crumbling creature at its centre. AW
Moviestore/Shutterstock
The 40 best films of the decade 19. Roma Roma takes two stories – one heartwrenching and intimate, the other sweeping and political – and weaves them together so delicately that they become one. It’s a tribute to the domestic worker who director Alfonso Cuarón says raised him. But it’s also the story of Mexico’s history, as seen through the perspective of those who have, for so long, been left voiceless. This is Cuarón’s masterpiece. CL
Carlos Somonte
The 40 best films of the decade 18. The Act of Killing It feels remarkable, given how easy it is to turn away from evil, that The Act of Killing exists at all. Not only did Joshua Oppenheimer choose one of the perpetrators of the Indonesian genocide as his subject of his documentary, but he had him confront his own crimes through a series of cinematic reenactments. It is profoundly disturbing to watch. CL
Dogwoof
The 40 best films of the decade 17. Stoker Park Chan-Wook’s twisted homage to Hitchcock’s Shadow of a Doubt may be filled with beautiful things, but they’re laced with venom. When India (Mia Wasikowska) receives a visit from her enigmatic Uncle Charlie, she discovers they share a perverse kinship. Are they the same soul in two different bodies, or are they merely bound together by the stench of death that follows them wherever they go? CL
Rex Features
The 40 best films of the decade 16. The Selfish Giant Like Ken Loach’s Kes, Clio Barnard’s Bradford-set tale, very loosely inspired by the Oscar Wilde story, combines lyricism with polemic. It captures brilliantly the mischief and resourcefulness of its two young protagonists (teenage kids excluded from school) while laying bare the brutality of the society in which they and their families are cast adrift. GM
Rex Features
The 40 best films of the decade 15. Son of Saul In 'Son of Saul' Geza Rohrig plays a Hungarian-Jewish prisoner tasked with the extermination of his fellow Jews
Sony Pictures Entertainment
The 40 best films of the decade 14. Lady Bird Lady Bird – and its story of a frustrated teen (Saoirse Ronan) trapped in Sacramento, California – is deeply attuned to how we relate to memory. It’s less about particular events than the emotions they create: a flash of adolescent alienation, a tearful goodbye at the airport, or the sensation of seeing a familiar place through new eyes.
A24
The 40 best films of the decade 13. The Grand Budapest Hotel Wes Anderson’s kitsch yarn, largely set in a luxurious spa hotel just before the Second World War, is an elegy for a lost world. Whether it’s Alexandre Desplat’s music, the eye-popping colours or the mannered but brilliant performances, all the elements here are perfectly judged. A film that could easily have seemed flimsy and conceited is instead utterly enrapturing. GM
Moviestore/Rex
The 40 best films of the decade 12. 12 Years a Slave Steve McQueen’s harrowing period drama confronts audiences with the reality of slavery. Racist white owners treat their slaves as if they’re livestock, not human beings. Chiwetel Ejiofor excels as Solomon Northup, the free man sold into slavery. The film has a furious polemical charge but also works as a terrifying Kafkaesque drama about a man who falls off the face of the world. GM
Lionsgate
The 40 best films of the decade 11. Under the Skin Scarlett Johansson tucking nervously into a slice of chocolate cake becomes one of cinema’s most humane and bittersweet moments courtesy of filmmaker Jonathan Glazer, whose once-in-a-blue-moon film projects have produced a trilogy of sinister classics. Like Sexy Beast and Birth before it, Under the Skin is a wild, beautiful pleasure, as haunting as it is tender and serenaded by a spindly, disquieting score by Mica Levi. AW
Filmnation/Rex
The 40 best films of the decade 10. 20th Century Women 20th Century Women is a small-scale comedy drama with the power of something bigger. A tapestry of restless lives figuring things out, it is about family, longing and feeling out of place. At its heart is Annette Bening, heartbreakingly empathetic as a woman out of time – too old for youthful bohemia and too young for her stuffy peers, and determined to raise her teenage son to be enlightened and brilliant. Rare is a fictional world so peacefully captivating.
A24
The 40 best films of the decade 9. You Were Never Really Here Cinema is often at its most triumphant when it’s used as a tool for empathy, letting us climb into someone else’s brain and experience things that feel miles away from our own reality. That’s the revelatory power of Lynne Ramsay’s portrait of a PTSD-suffering vigilante, brought to life with incredible vulnerability by Joaquin Phoenix.
Amazon Studios
The 40 best films of the decade 8. Mad Max: Fury Road In a recent interview, Parasite director Bong Joon-ho revealed that he’d shed a tear while watching George Miller’s unexpected return to the Mad Max franchise. He called it “something we cannot describe with our words: all we can do is just cry”. He’s right. Fury Road is, essentially, a feature-length car chase – but it’s hard to put into words how epic and symphonic it truly is. CL
Warner Bros
The 40 best films of the decade 7. Paddington 2 A soothing balm for all of our socio-political ills, Paddington 2 is the film we needed more than any other this decade. There are numerous delights here, from the majesty of Paul King and Simon Farnaby’s script and its elaborate sleights of hand, to a moustache-twirling Hugh Grant at his most magnificent. But more than anything, Paddington 2 is about the healing power of community and family, a message conveyed with wholesome warmth and pluck by the achingly sweet bear of the title. Michael Bond would be proud.
The 40 best films of the decade 6. American Honey It took a woman from Dartford to capture the sprawling, stirring power of the American road and all that it promises. Of all the decade’s films, Andrea Arnold’s American Honey feels the most hungry to exist independently on its own, ignoring the rules of storytelling and bursting at the seams with wildness and colour. Sasha Lane – who had never acted before she was spotted by Arnold on a beach during spring break – plays working-class teenager Star, who yearns for a greater purpose and hitches a ride with a truckful of kids as adrift as she is. AW
Universal Pictures
The 40 best films of the decade 5. Inside Llewyn Davis Inside Llewyn Davis is a kind of anti-Odyssey. In its story of a folk singer (Oscar Isaac) who hops from couch to couch, with no direction and few prospects, Llewyn becomes the weary Greek hero who not only struggles to find a way home, but realises he may not have a home to go to. It’s a deeply melancholic work.
CBS Films
The 40 best films of the decade 4. Phantom Thread Phantom Thread is a love story in a funhouse mirror – fizzy and feather-light, but with a barbed and kinky underbelly that could only have come from the mind of Paul Thomas Anderson. The bewitching duo of Daniel Day-Lewis and Vicky Krieps play a fashion designer and his muse, who unearth new means to sustain their marriage. Anderson lingers over objects of beauty throughout – the lines of a fabric, the mess of a breakfast table, the colourful residue left over after the ball drops on New Year’s Eve. Apparently Day-Lewis’ final film, but what a blissful way to go out. AW
Universal Pictures
The 40 best films of the decade 3. Get Out Get Out sunk its teeth into culture in 2017, and hasn’t stopped biting. Jordan Peele’s horror satire is a polished, spooky and supremely well-executed chiller, but works even better as a deconstruction of race. In its sights are peak white centrism, the burdens and expectations of being black in America, and the untruths of the post-racial utopia many were fooled into embracing in the Obama era. No other film has reflected society in the 21st century more succinctly. AW
Universal Pictures
The 40 best films of the decade 2. Carol A magical reprieve from much of the queer romance canon, Carol is neither tragic nor sexually neutered, and is rich with snowy, expensive opulence. Todd Haynes’s 2015 masterpiece plays like a fairytale, kick-started by a misplaced pair of gloves, with Cate Blanchett and Rooney Mara acting on feelings that were considered unacceptable at the time. Deeply romantic, sexy and dramatic, it takes everything Haynes perfected in his Douglas Sirk-inspired drama Far from Heaven (2002), and maximises it.
The 40 best films of the decade 1. Moonlight Barry Jenkins is destined to be one of the most important cinematic voices of the era. Moonlight is ample proof of that: there are very few debuts that feel this transportive, that fill the screen with this much raw beauty and human vulnerability. The director knows the power of gesture, and so the film’s emotional weight rests on a few shared glances, or one hand placed gently on another. In the intersection between race, sexuality and class, it crafts tender poetry. CL
David Bornfriend/Kobal/Rex
Jodie Comer has also been nominated for Best Actress in a Television Drama following an Emmy win for Killing Eve back in September.
Find a full list of all the 2020 Golden Globe nominations below
Films Best Motion Picture – Drama
1917
The Irishman
Joker
Marriage Story
The Two Popes
Best Performance by an Actress in a Motion Picture – Drama
Cynthia Erivo – Harriet
Scarlett Johansson – Marriage Story
Saoirse Ronan – Little Women
Charlize Theron – Bombshell
Renee Zellweger – Judy
Best Performance by an Actor in a Motion Picture – Drama
Christian Bale – Le Mans ‘66
Antonio Banderas – Pride & Glory
Adam Driver – Marriage Story
Joaquin Phoenix – Joker
Jonathan Pryce – The Two Popes
21 actors who took their roles so seriously it got out of handShow all 21 1 /2121 actors who took their roles so seriously it got out of hand 21 actors who took their roles so seriously it got out of hand Nicolas Cage Nicolas Cage has a history of taking his roles too far, but the peak arrived with the Ghost Rider sequel, Spirit of Vengeance (2011). Knowing his head was to be replaced with CGI, he covered his face in corpse paint and shrouded himself in a costume covered with Egyptian symbols and magical amulets, terrifying his co-stars in the process. Decades earlier, Cage had pulled out 12 of his own teeth in preparation for the lead role in Birdy (1984).
21 actors who took their roles so seriously it got out of hand Hilary Swank Hilary Swank's exercise regime for drama Million Dollar Baby was so intense that it almost killed her. She spent so long in the gym (six days a week for three months) that a doctor told her a staph infection – caused by a burst blister on her foot – was hours away from reaching her heart.
Warner Bros
21 actors who took their roles so seriously it got out of hand Heath Ledger Such was the extent of Heath Ledger's commitment to the role of Joker in The Dark Knight (2008) that he ended up sleeping just two hours a night after locking himself away in a hotel room for an entire month to make a diary comprised of his villainous character's ramblings.
21 actors who took their roles so seriously it got out of hand Val Kilmer Having lived an entire year in the life of late Doors frontman Jim Morrison, Val Kilmer had to go to therapy after struggling to get his life back on track. The actor had become so obsessed with the role that he ended up learning fifty of Morrison's songs and had everyone call him "Jim" on set of the 1991 biopic.
21 actors who took their roles so seriously it got out of hand Johnny Depp Johnny Depp risked his life while preparing for the role of Hunter Thompson in Terry Gilliam's 1998 film Fear and Loathing in Las Vegas; he took hard drugs and spent his nights sleeping next to extremely dangerous containers of gunpowder and nitroglycerin.
21 actors who took their roles so seriously it got out of hand Shia LaBeouf For war thriller Fury (2014), Shia LaBeouf slashed his own cheek and pulled a tooth out during filming. He also didn't wash for an entire month forcing the crew to arrange a separate room for him during night-time shoots.
21 actors who took their roles so seriously it got out of hand Rooney Mara Rooney Mara completely changed her image to play the role of Lisbeth Salander in David Fincher's 2011 adaptation of The Girl With the Dragon Tattoo. She cut her hair, bleached her eyebrows and pierced her nipples to get into the mindset of the cyber hacker at the heart of Stieg Larrson's novels.
21 actors who took their roles so seriously it got out of hand Natalie Portman Natalie Portman certainly worked for the Best Actress Oscar she received for 2010 film Black Swan. She shunned any suggestion of a body double for the film's extremely challenging dance scenes.
21 actors who took their roles so seriously it got out of hand Joaquin Phoenix In 2008, Joaquin Phoenix displayed some bizarre behaviour after he quit acting to become a hip-hop artist. It was later revealed that his life upheaval – strange interviews included – was, in fact, a giant hoax for mockumentary I'm Still here
21 actors who took their roles so seriously it got out of hand Ashton Kutcher After hearing that Apple co-founder Steve Jobs had a diet comprised of just fruit, Ashton Kutcher thought he'd do the same in preparation for his role in biopic Jobs (2013). He ended up hospitalised for severe vitamin deficiencies as well as a reduction in bone density. But for the role of Steve Jobs, Kutcher went on a complete fruit diet, just like real-life Steve Jobs. And two days before the filming Kutcher ended up in the hospital with severe Vitamin deficiencies and reduction in bone density.
21 actors who took their roles so seriously it got out of hand Halle Berry After "begging" Spike Lee to let her play the role of crack addict Vivian in his 1991 film Jungle Fever, Halle Berry proved her dedication to the role by refusing to bathe for two whole weeks.
21 actors who took their roles so seriously it got out of hand Dustin Hoffman Meryl Streep has recounted the time Dustin Hoffman slapped her on their first take filming 1979 divorce drama Kramer vs Kramer, something everyone can agree was an unacceptable step too far.
21 actors who took their roles so seriously it got out of hand Daniel Day-Lewis Known to be one of the biggest method actors around, Daniel Day-Lewis spent six months alone in the wilderness in preparation for his role in The Last of the Mohicans (1992).
21 actors who took their roles so seriously it got out of hand Anne Hathaway Anne Hathaway may have won a Best Supporting Actress Oscar for Les Misérables (2012), but the role of Fantine – which saw her cut off her hair and eat nothing but lettuce and oatmeal paste – left her in "a state of deprivation, both physically and emotionally".
21 actors who took their roles so seriously it got out of hand Christian Bale Christian Bale has since vowed not to mess with his weight again following his Oscar win for Vice earlier this year but, back in 2004, he lost such an alarming amount of weight for the role of Trevor Reznik in The Machinist that he became virtually unrecognisable. "I was intrigued by a perverse nature of mine just to see if I can go beyond what I've been told is actually safe and okay, and see if I could push the limits," he went on to tell the BBC.
21 actors who took their roles so seriously it got out of hand Charlize Theron While many would expect to see Charlize Theron here for her Oscar-winning turn as Aileen Wuornos in Monster, it's her role in spy film Atomic Blonde (2017) that saw her take things too far. Theron was so adamant she perform her own stunts that she bruised her ribs and clenched her teeth so hard she broke two of them.
Focus Features
21 actors who took their roles so seriously it got out of hand Danny DeVito The entire cast of 1975 film One Flew Over the Cuckoo's Nest stayed in a real mental asylum to prepare for the film. DeVito went so far as to dream up an imaginary friend, one he became convinced was real.
21 actors who took their roles so seriously it got out of hand Adrien Brody To get into the lead role of Oscar-winning film The Pianist (2002), Adrien Brody upheaved his life so much that it took him over a year and a half to get things back on track; not only did he starve himself to a staggering degree, but sold his home and broke up with his long-term girlfriend.
21 actors who took their roles so seriously it got out of hand Jared Leto The Oscar-winner got so into his role of Joker in 2016's Suicide Squad that he sent his co-stars, including Margot Robbie and Will Smith, stray bullets and used condoms in the post. He event circulated a video of himself with nothing but a dead pig for company to the entire crew.
21 actors who took their roles so seriously it got out of hand Kate Winslet Kate Winslet took her role of the former Nazi concentration camp guard at the heart of drama The Reader (2008) so seriously that she spoke with a German accent while at home with her family. She compared leaving the character behind her to escaping a serious car crash.
21 actors who took their roles so seriously it got out of hand Robert De Niro For Taxi Driver, most actors wouldn't have got themselves a fake license and cruised around New York City throughout the night to get into the role of the deranged Travis Bickle, but that's precisely what Robert De Niro ended up doing in 1976.
Best Motion Picture – Musical or Comedy
Dolemite Is My Name
Jojo Rabbit
Knives Out
Once Upon a Time in Hollywood
Rocketman
Best Performance by an Actress in a Motion Picture – Musical or Comedy
Ana de Armas – Knives Out
Awkwafina – The Farewell
Cate Blanchett – Where’d You Go, Bernadette?
Beanie Feldstein – Booksmart
Emma Thompson – Late Night
Best Performance by an Actor in a Motion Picture – Musical or Comedy
Daniel Craig – Knives Out
Roman Griffin Davis – Jojo Rabbit
Leonardo DiCaprio – Once Upon a Time in Hollywood
Taron Egerton – Rocketman
Eddie Murphy – Dolemite Is My Nam e
Best Performance by an Actress in a Supporting Role in any Motion Picture
Kathy Bates – Richard Jewell
Annette Bening – The Report
Laura Dern – Marriage Story
Jennifer Lopez – Hustlers
Margot Robbie – Bombshell
Best Performance by an Actor in a Supporting Role in any Motion Picture
Tom Hanks – A Beautiful Day in the Neighbourhood
Anthony Hopkins – The Two Popes
Al Pacino – The Irishman
Joe Pesci – The Irishman
Brad Pitt – Once Upon a Time in Hollywood
Best Director of any Motion Picture
Bong Joon Ho – Parasite
Sam Mendes – 1917
Todd Phillips – Joker
Martin Scorsese – The Irishman
Quentin Tarantino – Once Upon a Time in Hollywood
Best Motion Picture – Foreign Language
The Farewell
Les Miserables
Pain & Glory
Parasite
Portrait of a Lady on Fire
Best Motion Picture – Animated
Frozen 2
How To Train Your dragon
The Lion King
Missing Link
Toy Story 4
Best Screenplay
Noah Baumbach – Marriage Story
Bong Joon-Ho – Parasite
Anthony McCarten – The Two Popes
Quentin Tarantino – Once Upon a Time in Hollywood
Steven Zailian – The Irishman
Best Original Score
Alexandre Desplat – Little Women
Hilder Guðnadóttir – Joker
Randy Newman – Marriage Story
Thomas Newman – 1917
Daniel Pemberton – Motherless Brooklyn
Best Original Song
“Beautiful Ghosts” – Cats (Andrew Lloyd Weber, Taylor Swift)
“I’m Gonna Love Me Again” – Rocketman (Elton John, Bernie Taupin)
“Into the Unknown” – Frozen 2 (Krist
“Spirit” – The Lion King (Beyoncé, Timothy McKenzie, Ilya
“Stand Up” – Harriet (Joshua Bryant Campbell, Cynthia Erivo)
Television Best Television Series – Drama
Big Little Lies
The Crown
Killing Eve
The Morning Show
Succession
Best Performance by an Actress In A Television Series – Drama
Jennifer Aniston – The Morning Show
Olivia Colman – The Crown
Jodie Comer – Killing Eve
Nicole Kidman – Big Little Lies
Reese Witherspoon – Big Little Lies
Best Performance by an Actor In A Television Series – Drama
Brian Cox – Succession
Kit Harington – Game of Thrones
Rami Malek – Mr Robot
Tobias Menzies – The Crown
Billy Porter – Pose
Best Television Series – Musical or Comedy
Barry
Fleabag
The Komsinky Method
The Marvellous Mrs Maisel
The Politician
Best Performance by an Actress in a Television Series – Musical or Comedy
Christina Applegate – Dead to Me
Rachel Brosnahan – The Marvellous Mrs Maisel
Kirsten Dunst – On Becoming a God in Central Florida
Natasha Lyonne – Russian Doll
Phoebe Waller-Bridge – Fleabag
Best Performance by an Actor in a Television Series – Musical or Comedy
Michael Douglas – The Kominsky Method
Bill Hader – Barry
Ben Platt – The Politician
Paul Rudd – Living with Yourself
Rami Yusef – Rami
Best Television Limited Series or Motion Picture Made for Television
Catch-22
Chernobyl
Fosse/Verdon
The Loudest Voice
Unbelievable
Best Performance by an Actress in a Limited Series or a Motion Picture Made for Television
Michelle Williams – Fosse/Verdon
Helen Mirren – Catherine the Great
Merritt Wever – Unbelievable
Kaitlyn Dever – Unbelievable
Joey King – The Act
Best Performance by an Actor in a Limited Series or a Motion Picture Made for Television
Chris Abbott – Catch 22
Sacha Baron Cohen – The Spy
Russell Crowe – The Loudest Voice
Jared Harris – Chernobyl
Sam Rockwell – Fosse/Verdon
Best Performance by an Actress in a Supporting Role in a Series, Limited Series or Motion Picture Made for Television
Patricia Arquette – The Act
Helena Bonham Carter – The Crown
Toni Collette – Unbelievable
Meryl Streep – Big Little Lies
Emily Watson – Chernobyl
Best Performance by a Supporting Actor in a Limited Series or a Motion Picture Made for Television
Alan Arkin – The Kominsky Method
Kieran Culkin – Succession
Andrew Scott – Fleabag
Stellan Skarsgard – Chernobyl
Henry Winkler – Barry
The 2020 Golden Globe Awards, presented by Ricky Gervais , will take place on 5 January.
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