Your support helps us to tell the story
From reproductive rights to climate change to Big Tech, The Independent is on the ground when the story is developing. Whether it's investigating the financials of Elon Musk's pro-Trump PAC or producing our latest documentary, 'The A Word', which shines a light on the American women fighting for reproductive rights, we know how important it is to parse out the facts from the messaging.
At such a critical moment in US history, we need reporters on the ground. Your donation allows us to keep sending journalists to speak to both sides of the story.
The Independent is trusted by Americans across the entire political spectrum. And unlike many other quality news outlets, we choose not to lock Americans out of our reporting and analysis with paywalls. We believe quality journalism should be available to everyone, paid for by those who can afford it.
Your support makes all the difference.Italian director Ettore Scola, remembered for films such as "A Special Day" and "We All Loved Each other So Much", announced Monday he was putting an end to his directing career at the age of 80.
He said in an interview with the Il Tempo newspaper published on Monday that he felt too old to continue his work in a market-driven industry.
"I was about to shoot a film with (French actor Gerard) Depardieu. Everything was ready but in the end I didn't feel like doing it anymore," Scola said.
"I didn't want to become one of those old ladies who wear high heels and lipstick just to keep youthful company."
Scola, one of a raft of Italian greats who shot some of cinema's undying classics in Rome's Cinecitta studios - together with Federico Fellini, Roberto Rossellini and Vittorio de Sica - said he felt out of synch with the industry.
"My experience in the film-making world is not what it used to be: easy and happy. There are production and distribution requirements that I can no longer identify with," Scola explained.
"To me it is crucial to retain that freedom of choice, that freedom to give up. I was beginning to play by rules that no longer allowed me to feel free."
"Nowadays, it's the market that chooses for you. It was always an important factor but there was more space for autonomy. Producers were more willing to experiment and take risks," he said.
In 1974, Scola scored a major success with "We All Loved Eachother So Much" (C'eravamo tanto amati), a fresco of post-war Italy that he dedicated to his friend Vittorio de Sica.
Watch Apple TV+ free for 7 days
New subscribers only. £8.99/mo. after free trial. Plan auto-renews until cancelled
Watch Apple TV+ free for 7 days
New subscribers only. £8.99/mo. after free trial. Plan auto-renews until cancelled
In 1976, he won best director at the Cannes festival for "Ugly, Dirty and Bad" (Brutti, sporchi e cattivi).
He may be best remembered for "A Special Day" (Una Giornata Particolare), which produced memorable performances by Sophia Loren and Marcello Mastroianni playing a housewife and her neighbour on the day Adolf Hitler visits Benito Mussolini.
Join our commenting forum
Join thought-provoking conversations, follow other Independent readers and see their replies
Comments