Comedy review: Stewart Lee - Much A-Stew About Nothing, Leicester Square Theatre

Lee takes on Ed Miliband, UKIP and immigration in trademark style

Julian Hall
Friday 08 November 2013 16:37 GMT
Comments
Stewart Lee
Stewart Lee (Susannah Ireland)

Your support helps us to tell the story

From reproductive rights to climate change to Big Tech, The Independent is on the ground when the story is developing. Whether it's investigating the financials of Elon Musk's pro-Trump PAC or producing our latest documentary, 'The A Word', which shines a light on the American women fighting for reproductive rights, we know how important it is to parse out the facts from the messaging.

At such a critical moment in US history, we need reporters on the ground. Your donation allows us to keep sending journalists to speak to both sides of the story.

The Independent is trusted by Americans across the entire political spectrum. And unlike many other quality news outlets, we choose not to lock Americans out of our reporting and analysis with paywalls. We believe quality journalism should be available to everyone, paid for by those who can afford it.

Your support makes all the difference.

Though I'm personally invited to drop a star by Lee tonight, I'll resist the temptation. This rating comes with a caveat, however. The ursine comic's often sublime shtick (here ranging over politics, race and age) still requires those allergic to alienating repetition, knowing deconstruction and long-game subversion to deal with that, albeit to a lesser extent than before.

Shakespeare, assured my English teacher, always supplied a direct hit even in his most involved passages. So it is with fellow West Midlander Lee, who can despatch his targets with caustic brevity: "You have to have imagination on the left... to look at Ed Miliband and imagine that he represents anything other than the destruction of the post-war socialist dream."

For UKIP deputy leader, Paul Nuttall, there is more trademark, and therefore more elaborate, rebuff. Lee takes Nuttall's view that Bulgaria should retain its high achievers to a nihilistic conclusion, reaching it via a backwards chronological rundown of immigration that includes the evolution of fish to land animals.

The mix of pathos and playfulness is heightened in a closing sequence where Lee puffs himself up only to puncture his ego and portrays himself as a burnt out performer, berated by his family who apply their own 'dropped star' rating to him.

Until 19 January (08448 733433), then tours until 15 February

Join our commenting forum

Join thought-provoking conversations, follow other Independent readers and see their replies

Comments

Thank you for registering

Please refresh the page or navigate to another page on the site to be automatically logged inPlease refresh your browser to be logged in